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Odesa Photo Days is an international festival of contemporary photography, founded in 2015 as a response to the war in eastern Ukraine and the annexation of Crimea. Since February 24, 2022, the festival has not been held; instead, the team works with Ukrainian photographers and the international community to spread awareness about the war in Ukraine and to assist those affected by it.

Unseen Foundation is an independent not-for-profit organisation that aims to increase the impact of artists, working in the field of photography, on society. Unseen Foundation endeavours to launch initiatives to promote the work of emerging artists, with a specific focus on young talent. Through various events, Unseen Foundation aims to create environments where those with personal and professional interests in contemporary photography can exchange ideas - pushing the medium of photography ever forward and bringing artists into contact with new audiences every step of the way.

Founded in 2010 in partnership with Les Rencontres d’Arles, the Tbilisi Photo Festival was born in an attempt to unveil the deep and fast changing realities palpable everywhere in Georgia by contributing to the rise of the local and regional photographic scene while bringing to Tbilisi the best of world photography. Since 2010 the Tbilisi Photo Festival has hosted the exhibitions of legends and stars of contemporary photography and has created a meaningful platform to support the emerging artists. Twelve editions later, the Tbilisi Photo Festival firmly established Tbilisi as the capital of photography of the Caucasus by becoming the most important photo festival in the region and one of its major annual cultural events.

The Bienal Fotografia do Porto aims to contribute to the production and dissemination of alternative artistic perspectives and actions that promote ethical and regenerative cultural change that we believe is as desirable as it is essential. The Bienal features exhibitions by national and international artists in museums and alternative public venues throughout the historical center of Porto. The majority of artworks result from residences and research laboratories carried out within the framework of the Bienal. The Bienal pioneers research and experimentation in photography and its transdisciplinary relationship with other artistic fields; promoting alternative methodologies and proposing multiple perspectives, utopian or dystopian, to motivate cultural transformations. The Bienal Fotografia do Porto is organized and produced by Ci.CLO, in co-production with the Porto City Council. The Bienal is financed by the Portuguese Ministry of Culture, with the patronage of BPI and Fundação “la Caixa”, the institutional support of UNESCO National Commission and a network of national and international strategic partners.

Founded 1984, the Centre de la photographie Genève [Geneva Photography Centre, abbreviated CPG] is the main institution dedicated to photography in Geneva, Switzerland. Its core activities are the production of temporary exhibitions, with a focus on the contemporary period and particular attention paid to emerging artists, the publication of books on contemporary photography, as well as its art education programmes for professional photographers and artists, and school audiences. As an art centre dedicated to photography and lens-based art, CPG is committed to encourage visual and digital literacy in its young and adult general audience, and to support professional photographers and artists in the development of their career, with a broad scope of distinct but coherent activities. Danaé Panchaud, a Swiss curator, museologist and lecturer, has been its director since January 2022. The Centre de la photographie Genève is one of the three institutions in Geneva’s Bâtiment d’art contemporain [Contemporary Art Building], alongside the Mamco and the Centre d’Art Contemporain Genève, located in the Quartier des Bains, Geneva’s contemporary art district. CPG produces a vast majority of its exhibitions, alongside selected coproductions and touring of existing shows. Producing new bodies of work and supporting artists and photographers in the development of their specific vision for their exhibition at CPG are key engagements of the organisation, which in turn allow it to present to its audiences artworks exhibited for the first time in Geneva. CPG pays a particular attention to artists and photographers whose work has received limited institutional attention and visibility so far, in Switzerland and abroad. It regularly organises the first solo exhibition, or first significant monographic presentation in an institutional context, of Swiss and international artists of different generation. Swiss and international artists each represent one half of its exhibition programme, with artists born between the 1960s and the 1990s forming the majority of the represented generations. CPG pays special attention to the diversity and representativeness of the points of view it gives visibility to through its exhibitions. CPG launched two education programmes in fall 2022, and intends to develop several further initiatives in the field of art education and visual literacy in the coming years. The first programme is a series of interdisciplinary visits for schools for ages 8 and up. It aims to encourage visual literacy as a key to successfully navigating contemporary society, understanding the media and cultural productions at large, as well as expressing oneself. The second programme is designed to support professional photographers and artists in the development of ongoing projects, through different formats which include workshops, specialised talks and conferences, critical feedback sessions and, as of spring 2023, a mentorship programme. Some formats are strictly in person while others can take place entirely online and be accessible to photographers anywhere in the world.

Photo Elysée is one of the most important museums entirely dedicated to the photographic medium, with collections of more than 1,200,000 phototypes covering the entire field of photography, from the 1840s until today. Each year, we produce demanding exhibitions, distribute reference editorial content, conceive innovative events and offer events open to all. Since its creation in 1985, Photo Elysée has been questioning the permanent reinvention of the medium through the great figures who have marked its history by imagining new ways of seeing or making people see, while revealing in a privileged way the emerging photography which, through unseen views, bears witness to the world of today and prefigures that of tomorrow.

Nestled within the Pasquart cultural center, Photoforum is a dynamic institution dedicated to photography. Since its establishment in 1984, we have remained committed to empowering emerging and mid-career artists while fostering meaningful exchanges within our community. Located in the heart of Switzerland, our institution occupies the second floor of the Pasquart, a former hospital building, alongside the Kunsthaus Pasquart, Filmpodium, Kunstverein, and espace libre. Photoforum is more than just an institution; we serve as a creative hub, providing support to photographers, nurturing talent, and encouraging the exploration of photography in all its forms. Dedicated to emerging and mid-career photography, we occupy a unique place in the Swiss photography scene. We curate between five and seven exhibitions annually, featuring both group exhibitions and monographs, some of which serve as a launching point for artists, offering them crucial visibility at pivotal moments in their careers. We aim to provide our local and national audience with the opportunity to discover new artists while shedding light on current issues and trends in contemporary photography. Each year, Photoforum hosts Prix Photoforum – an annual open call that recognizes outstanding new works and encourages artists to share their creative visions across a broad spectrum of photographic media—from documentary photography and conceptual works to multimedia installations. Each year, ten to fifteen exceptional artists are selected to present their works at the Photoforum.

Void is an art-house publisher dedicated to uncompromising, boundary-pushing photography books that blend innovative design, unique narratives, and a hands-on approach, supporting both emerging and established artists.

The Triennial of Photography Hamburg is an internationally renowned photo festival that takes place every three years in collaboration with major museums, exhibition spaces, and cultural institutions. Initiated in 1999 by collector and photographer F.C. Gundlach, the photo festival has evolved over the years to become one of the most significant photography events in Germany, enjoying international acclaim. Under a common theme, conceptualized by varying artistic leadership, numerous photo exhibitions shed light on highly relevant photographic themes and trends. The Triennial of Photography is accompanied by an international, interdisciplinary symposium that includes artist talks, specialized discussions, lectures, portfolio reviews, and an international conference in the lead-up to and during the festival period.

PhotoIreland provides a unique support framework focused on artists, the artform and audiences. PhotoIreland grows the reputation of Irish artists globally through a 360 degree support system and platform for contemporary photography, activated through a diversity of projects. These include events such as PhotoIreland Festival and Halftone print fair amongst others; resources such as the PhotoIreland Collection, a specialised research library of photobooks, and Ireland’s Art Bookshop, The Library Project; via publishing with projects such as OVER Journal and TLP Editions; professional development support through networking and consultancy opportunities; and empowering early and mid-career photographers via our international partnerships, most relevantly through Creative Europe co-funded platforms such as FUTURES and Parallel. PhotoIreland cultivates, supports, rewards, and showcases contemporary visual arts practices. Over the last decade, PhotoIreland has become a key constituent of the Visual Arts in Ireland, offering from Dublin an annual festival dedicated to Photography, running a cultural hub in buzzing Temple Bar, and developing constructive channels with a strong network of organisations worldwide. Through these networks, PhotoIreland creates cultural exchanges internationally, promoting relentlessly the works of Irish artists around the world, actively seeking to be present in key festivals, fairs, and becoming the main voice for Contemporary Photography from Ireland. Indeed, it is not per chance PhotoIreland is the only Irish organisation invited as founding member to Parallel Platform and Futures Photography – already a member of 3 EU co-funded projects. Alongside this work, The Library Project, a space that started as a photobook library, has now become a busy Art bookshop focused on visual culture and critical thinking, stocking publications brought to Ireland from all over the world, presented alongside exhibitions and events in its productive gallery space.

Photo Romania is an immersive and captivating photography festival that celebrates the art of visual storytelling through the lens. Founded by Cătălin Balog-Bellu and Sebastian Vaida, the festival brings together photographers, artists, and enthusiasts from around the world to showcase their work, exchange ideas, and inspire creativity. Spanning multiple days, Photo Romania takes place every year in the city of Cluj-Napoca and offers a diverse program of exhibitions, workshops, masterclasses, and interactive experiences designed to engage and educate attendees of all ages and skill levels. Visitors can explore thought-provoking collections of contemporary and historical photography, gaining insight into different techniques, styles, and perspectives. The festival also serves as a platform for emerging talents to connect with industry professionals, fostering a supportive environment for networking and collaboration.

Organ Vida has been a leading Croatian institution promoting and researching contemporary expanded photography practices in Croatia and internationally since its establishment in 2008. As an independent, non-profit, non-governmental organization, it is dedicated to showcasing the works of emerging and established artists and creating platforms for knowledge exchange, education, and research. Organ Vida also hosts a biannual international festival held at the Museum of Contemporary Art in Zagreb, Croatia. The festival brings together international young contemporary artists who share a common goal of advancing contemporary image- based practices. Our programs include exhibitions, lectures, performances, and workshops that reflect on contemporary image production in relation to popular and digital culture. We focus on producing and distributing new artworks and other cultural programs, as well as developing research in the fields of contemporary art, photography, and theory. Organ Vida is led by a curatorial team consisting of Barbara Gregov, Lovro Japundžić and Lea Vene.

ISSP is a platform for contemporary photography, art and education. Since its establishment in 2006, ISSP has annually organised the International Summer School of Photography, initiated local and international education and exchange programmes, produced exhibitions, publications and events, and, most importantly, gathered a thriving community of artists in Latvia and abroad. The ISSP School offers practice-based educational programmes, masterclasses and mentoring programmes for photographers and artists in Latvia. Since 2021, the ISSP Youth School offers photography and visual literacy education activities for teenagers. The ISSP Gallery, opened in 2018, is the central exhibition and events space for contemporary photography in Riga, Latvia, hosting exhibitions by local and international artists and an extensive public programme. Since 2019, ISSP is exploring the connections between art and society and supporting emergent socially engaged art practices in Latvia - projects in this area include mentorship programmes, summer schools, workshops and discussion series for artists and culture workers focus on various aspects of art and society. ISSP is an active member of the Association of Contemporary Culture NGOs in Latvia, an umbrella organization with the aim of improving the environment for cultural NGOs and promoting contemporary culture practices in Latvia.

Fotograf Zone is an art platform organisation that runs an online magazine, a comprehensive publication, exhibitions in its own gallery space, a festival of contemporary photography and educational activities in the field of photography and certain other overlapping disciplines. The mission and objective of Fotograf Zone is to inform the professional public as well as the broader cultural public about what is happening in the field of photographic art at home and abroad, and more importantly, to increase awareness of Czech photography and contemporary visual culture in the Czech Republic and elsewhere.

Fotogalleriet is a publicly funded foundation located in the center of Oslo and the oldest institution for photography as a critical art practice in the Nordic region. Founded in 1977 by a group of cultural workers for hothousing cutting-edge photographic practices, Fotogalleriet has since been dedicated to exhibiting local and international art practices, and analysing the rapidly expanding nature of a field unrestricted by technological and aesthetic shifts. Through its commitment to research and engagement with artists, Fotogalleriet is a leading institution within the field of image making. The Norwegian Royal Ministry of Culture provides Fotogalleriet’s principal operating support; additional operational funding comes from the Norwegian Photographic Fund (Nofofo), and in part, from the Oslo Municipality.

FOTODOK explores how visual stories have a potential for offering fresh, new perspectives on the pressing matters of today that often remain underexposed. Artists act as the antennae of society, a notion that consistently resonates in FOTODOK’s programmes. FOTODOK’s artistic program rests on four pillars: exhibitions, a dialogue and research program, talent development for emerging and mid-career photographers from both the Netherlands and abroad, and educational programs. Each pillar, with its own unique setup, contributes to reflections on the overarching themes and the corresponding programs we develop. FOTODOK, together with visual creators, seeks to reflect on how we can actively contribute to addressing these questions. The cultural sector, in particular, can offer a free and neutral space—a “soft space”—to reflect on these issues from various perspectives. FOTODOK aspires to be that very place: the space to co-create these stories and the platform to show, discuss, and understand them.

FOMU believes there is more to a photograph than meets the eye. Just like magic, it’s not necessarily about what you see, but about what you don’t see. About what is purposely framed, and what is left to the imagination. What is in focus, and what is lost in a blur. About what catches the light, and what fades into obscurity. Tilting our view and re-aligning our focus challenges us to allow for different perspectives, and to openly seek out our own blind spots. We strive for radical vulnerability, we listen when faced with criticism. FOMU aims to be a place where people feel welcome to broaden their horizon through photography. A place to slow down, to reflect, to engage and to share different perspectives. FOMU wants to be a brave space, a curious curator. Looking into the past helps us understand societal changes in the present: today's experiments are tomorrow’s heritage. FOMU offers perspectives on photography, while putting photography in perspective. FOMU houses one of the most significant photo collections in Europe, featuring both equipment and photo documents. Each year, FOMU presents several temporary exhibitions by nationally and internationally renowned photographers, showcasing photography as a medium that is part of a broader social and cultural context. Visitors can also attend lectures and workshops, visit the museum shop and the museumcafé. FOMU can be found in an old warehouse in the neighbourhood ‘t Zuid (South quarter of Antwerp), close to the museum of contemporary art M HKA and the Museum of Fine Arts.

“The quality of light by which we scrutinize our lives has direct bearing upon the product which we live, and upon the changes which we hope to bring about through those lives. [...] This is poetry as illumination, for it is through poetry that we give name to those ideas which are - until the poem - nameless and formless, about to be birthed, but already felt.” – Audre Lorde‍In art, we can reconnect with our humanity and purpose. In light of the major shifts in the world the past two years we are pleased to select five emerging photographic voices that engage with social issues through their different artistic and collaborative modes of making. Der Greif is an organisation for contemporary photography that was born and built on the foundations of collecting and collective making. Our annual publications testify to the potential of single images and image-pairings to spark and create new narratives. We investigate the sites and spaces of image production, distribution and reception. In this sense, we are continually reflecting on and questioning the roles images play in how we create and process our environment and our respective positions and responsibilities within it. This year’s selected artists share a fascination for how natural and cultural environments shape our identities, our bodies, our voices, our stories, and our selves. What kind(s) of social, political, and emotional engagement and awareness can photography help foster? How can we more effectively engage critically with our audiences? How has the pandemic affected the values of photography and how we operate within these? How can photography connect us more deeply? Ultimately, the question remains: how and where do photographs touch us?

Copenhagen Photo Festival is a non for profit organisation and the largest festival for photography in the Nordic countries. The festival has existed since 2010 and today it is also a year round platform that works to shine light on camera and lens based art via events, exhibitions, digital formats and cross collaborations. Through our activities we aim to create community around photography by inspiring, exchanging and advocating for the relevance of photography in an ever-evolving world. Each year in June our endeavours all come together for the festival celebration of photography with exhibitions, networking activities, talks, parties and events at our festival centre as well as with our many festival partners across the region. Copenhagen Photo Festival curates and hosts a number of exhibitions at the festival centre. The festival has an unorthodox and experimental approach to exhibition making and strives to engage with its surroundings over the short festival period – and always with an ambition to uphold a sustainable exhibition practice. Since 2016 the headliners of the festival centre have been selected through an open call and our programme committee selects between 3 to 6 solo artists each year. Several hundred apply to our open call to exhibit during the festival each year. Parallel to the festival’s own activities, the festival presents a partner programme around the city and collaborates with both emerging and established venues that participate with exhibitions, events, talks and more. In recent years the festival has engaged in creating more networking opportunities, support and activities for emerging and established artists and curators from the Nordic countries and abroad with engagement in the FUTURES Photography Platform as well as organising seminars, workshops, photo print and photo book markets. This all aligns with Copenhagen Photo Festival's strategic pursuit over the next years, which aims to create space for dialogue and connections between photography, people and the surrounding environment and society.

Fotofestiwal is one of the first photography festivals in Central and Eastern Europe. This small, spontaneous initiative today, it's an international event with more than 20,000 visitors each year. The festival takes place in Lodz - a city with a remarkable industrial history, which has inspired the organizers from the beginning. Exhibitions are presented in the main festival center - the post-industrial buildings of former textile factories. More than 30 exhibitions can be seen throughout the city, organized in cooperation with local galleries, museums and universities. The program includes: exhibitions (curated Main Program, Open Program, book exhibitions), author meetings, slide shows, film screenings and educational activities. We are interested in photography that tells about the world, intervenes, engages, makes you think and take action. The festival draws audiences from all over Europe every year, with 30 exhibitions and more than 50 events over the 10 days of the festival, in at least 20 locations across the city of Lodz. The festival was covered by:  New York Times, The Washington Post,  British Journal of Photography, Der Greif and many more.

Today, the Rouen Normandy Photographic Centre has been awarded the title of "Centre d'Art Contemporain d'Intérêt National" and is continuing a story that began 30 years ago. It was the first place dedicated to photography in Normandy and one of the pioneers in France, at a time when photography was still a medium in the process of gaining artistic recognition in France. The Centre photographique Rouen Normandie is a place that exhibits and supports photographic creation and accompanies the public in the discovery of its multiple facets. The Centre has an annual programme of 3 to 4 exhibitions, complemented by off-site events in partnership with regional and national institutions (art centres, schools, hospitals, etc.) and a programme of artistic residencies. The Photographic Centre has an artistic line that places aesthetics as a vector of commitment at the heart of its programming and a cultural line that places a point of honour on the materiality of the work and what physical presence implies: the author's choice, the spectator's time.

A new and modern visual arts institute, the Robert Capa Contemporary Photography Center was opened in Budapest in December 2013. Among the tasks of the new visual institute are the organization of national and international exhibitions; the foundation of a prestigious photography award; the presentation of national and international photographers and photography workshops. Activities of the institution also include foreign study tours, public discussions, lectures, thematic film screenings, and performances, along with events of other art disciplines. Established in the centennial year of Robert Capa’s birth, the Center supports its operational, functional, and program costs from state subsidies, grants, and its own income.

CAMERA is a private foundation, an exhibition venue for both Italian and international photography, a centre for image education, staging meetings, ateliers, and workshops. A research centre for the valorization of photographic heritage. Located in the city centre, a stone’s throw away from the Mole Antonelliana, Museo Egizio, and many other museums and galleries, CAMERA is a unique hub dedicated to photography, capable of strengthening the link between Piedmont and Italy with the worldwide main centers, promoting photography through an open and creative dialogue with artists and institutions. The goal of promoting photography is addressed to a broad and diversified audience. Through exhibitions and workshops, meetings and talks, CAMERA aims to become a place of meeting and exchange for citizens, with a diverse cultural offer for each target category: photo lovers, amateur photographers, professionals, and scholars. CAMERA is a platform for study, display, producing, archiving, training, meeting, and debate all around photography: a place rooted in the territory yet with an international outlook.