Artist
Mikkel Hørlyck
Mikkel Hørlyck (b. 1991) is an independent photojournalist and visual artist based in Copenhagen, Denmark. Once a student at Fatamorgana The Danish School of Art Photography, he holds a BA in Photojournalism from the Danish School of Media and Journalism. Hørlyck’s career began as a photojournalist intern at Politiken, a Danish daily broadsheet. His work has since been recognised by a series of prizes – including Danish Picture Of The Year, Vilnius Photo Circle and World Report Award. In 2019, Hørlyck was named Discovery Of The Year at The Lucie Awards in New York.
Jørgen, a Mystery
As a photographer, I’m proud to say that I had the honour of photographing a legend. Jørgen? He cheated death. Many times. But he didn’t do it alone. Doctors, nurses and guardians were a great help through the years. They saved him – again and again. Jørgen Pedersen should have been dead long ago – considering his age, countless diseases, and 40 years of drug abuse. I loved photographing him from our first meeting to the last. He was a scientist of drugs. A Freud of the drug environment. Satan’s favourite. A sophisticated mindset and an extroverted being. A holy man. A rich character.
Hell’s Mouth
Following the full-scale Russian invasion and war in Ukraine since 24 February 2022, I chose to travel to Ukraine to document the consequences of the war, since my research said, that the strength and spirit of the Ukrainian people was deeply inspiring. I experienced exactly that; the deep-rooted loyalty to Ukraine, among its people. When I documented the consequences of missile attacks by Russian military in Kharkiv, East part of Ukraine, with Médecins Sans Frontières (MSF) treatment by Ukrainian staff for elderly in the villages along the frontline, to following the 18th Sloviansk Brigade of National Guard of Ukraine.
According to UNHCR - The UN Refugee Agency, nearly 3.7 million people in Ukraine are internally displaced in January 2024. 6.3 million refugees from Ukraine were recorded in the world in January 2024. Meeting the elderly men and women in the villages Lyman and Yampil was a huge experience; they had witnessed their villages be occupied by the Russia military, and fought back to Ukraine territory again. When looking them, in the eyes, was the strongest experience I had, during my nine days travel in Ukraine. The fear and horror, they had been through, was clearly relevant to document, since I believe, that there are much to learn from the Ukrainian people.
It is not only at the frontline that soldiers are alert of what is going on during the war – when Russia military sends out missiles hitting larger cities in Kyiv and Kharkiv, everyone is on constant alert. I felt that everywhere I went, in the atmosphere. It only makes sense, since the buildings being hit by Russian military, often are residential buildings. Again, I was impressed by the calmness among the Ukrainian people, the way they adapt and constant analyses what is going on.
This photojournalistic project ‘Hell’s Mouth’ is funded by the Ministry of Foreign Affairs of Denmark’s Fund 'OpEn' - on information and engagement.
Swedish Susanne Fagerlund (b. 1969) completed her MFA at Valand Academy in 2021, but nevertheless brings a lot of artistic experience with her. Fagerlund is selected for Futures 2023 on the basis of her unique artistic expression as well as her both sculptural and interdisciplinary work with the photographic medium, which i.a. uses natural history research, artificial intelligence and glitch feminism as a prism for her work. With The Doppelgänger Series – Mourning for what is being lost, Fagerlund tackles our relationship and belonging to nature. She has an intriguing utopian approach to AI as a tool to create a new visual archive, a ‘digital ecosystem’ of past and speculative future images of plants and species. An integration of AI which is interesting to discuss and unfold in the context of FUTURES.
The Danish photo-based artist Sofie Flinth (b.1996), educated at the Gerrit Rietveld Academie, has been selected on the basis of her portraits, which place themselves in the tension between staging and realism. In the project A Million Dollar View, Sofie Flinth explores the vanity of an elderly woman and the perception she has of herself. Flinth's portraits are completely devoid of the sensitivity that is often seen in documentary portraits, but acquire an almost advertising-like aesthetic through her work with themes such as nostalgia and vanity. Her photographic expression can be described as consequent, radical and relevant, and it also emphasizes the humor that her work contains. Sofie Flinth is an exciting example of a Danish artist who is exploring and expanding what portrait photography can and should be.
Danish photojournalist Mikkel Hørlyck (b. 1990) is a classic documentary photographer who works with social issues. In the long term project Jørgen, a Mystery, his intimate and personal story becomes universal and relevant through the drug addict Jørgen's fight for life, his love for his fellow men and his continuing dreams. All told sublimely through recognizable everyday situations, which can only be portrayed by a photographer who really takes an interest in his protagonist and decides to spend a long time on his photography. Mikkel Hørlyck's photography has an exceptionally distinct expression, which invites the viewers into the story and inevitably engages them. An expression that deserves greater international response with Futures. Hørlyck uses his talent to put global issues, social injustice on the agenda. From intimate projects like Jørgen or the Moldovan orphan children in The Neglected to the most recent project The Mercilessness Of The Sea which is part of his long term work on refugees.
Italian visual artist Giulia Mangione (b.1987) is based in Oslo and has resided in the Nordics for several years. With a MA at Bergen Arts Academy and studies in Advanced Visual Storytelling at the School of Media and Journalism in Aarhus, she has a well founded, broad and still curious approach to photography. She adds her feminine touch to the usually masculine genre of photographic road trip. In her project The Fall she manages to portray the prepper culture in a way that is both documentary and surreal at the same time. Each photograph stands as an individual work, and in the context it becomes an exciting, and complete visual style.
Norwegian Jonas Yang Tislevoll (b. 1993) educated from Bilder Nordic School of Photography in 2021 has presented a personal project with a highly relevant subject matter by “Take care of yourself son, your mom loves you”. Dealing with matters such as identity, belonging and women’s rights and adoption in South Korea he is contributing to an important and underlit agenda. His work dares to give space to few but meaningful details, leaving the audience with an atmosphere of an undefined static tension. An atmosphere which is underlined but the sometimes radical cropping The project presents a strong complementary interaction between the long texts and the images which is a strength and a potential Tislevoll could challenge on an international scale through FUTURES’.