Aline Bovard Rudaz

Viacheslav Poliakov is a visual artist, photographer, graphic designer. He was born in 1986 in Kherson, Ukraine. Obtained a master’s degree in art education from Kherson State University. Now based in Lviv, Ukraine. His art practice exists on the intersection of documentary photography and design. He's interested in objects and spaces made by people, the historic background behind the urban landscape. Viacheslav is a finalist of Foam Talents, Vienna Photobook Festival, Circulations, Krakow Photomonth Showoff, Fotofestival Lodz Grand Prix, Prix Levallois. His works were published in the Foam Magazine, The British Journal of Photography, GUP magazine, Lensculture, The Washington Post.

Adi Tudose (b. 1987, Bucharest) is an artist-photographer based in Budapest. After completing his studies at The National University of Theatre and Film, he further expanded his artistic vision through experiences in Milano. He is pursuing an MA in Photography at Moholy-Nagy University of Art and Design, where his practice continues evolving. For him, the camera is far more than a tool—it is a medium through which he connects with the world around him. The streets become dynamic, ever-changing spaces where unpredictable encounters unfold. Immersing himself fully in these environments, Tudose approaches his subjects with empathy and sensitivity, capturing their lives with care and revealing emotional depth and vulnerability. Tudose can transform fleeting, transient moments into cohesive compositions, bringing order and harmony to the everyday. Through this process, he taps into the subconscious, offering viewers a sense of unity within the chaos. His seamless blending of form and content sets him apart, creating simple yet mysterious representations. His work is characterized by cohesive framing, a rich interplay of diverse elements, and tuned figure-to-ground relationships. Tudose’s work offers an invitation to reflect on what photography can reveal about the human condition. Each frame carries layers of emotional and sociological insight, capturing the essence of his subjects while creating space for the viewer to connect with them on a personal level. Each photograph becomes more than a visual representation; it transforms into a deeply felt emotional experience. Empathy and vulnerability lie at the core of Tudose’s creative process, enabling him to form deeper connections with his subjects and uncover meaningful relationships that might otherwise remain hidden. His work seeks to evoke genuine emotions, delving into themes of social and gender representation while fostering a sense of belonging. In doing so, he transforms emotional disconnection into moments of peace and truth. As an artist, Tudose is committed to long-term projects that tell meaningful stories, ones that challenge him to confront fear, embrace vulnerability, and transform his personal experiences into shared human truths. His photography doesn’t just document—it transcends, offering symbols of connection and hope in a chaotic world.

Tudor Rhys Etchells uses the photograph to challenge fictions created by legal systems. Working within such a bureaucracy in his previous role as a human rights lawyer inspires his closeness to the document and the brutally mundane. For him, the photographic medium, with its own cumbersome structures of viewing and representing, appears the best match for understanding processes that construct the imagined norms of our society. Embracing photography’s performative element, he deconstructs our conceptions of visual knowledge. He achieved a Distinction in MA Documentary Photography at the University of South Wales during which he was awarded the Reginald Salisbury grant. Recently he was awarded an Arts Council of Wales Research and Development grant to fund a residency and his first solo exhibition at BayArt, Cardiff. He is based in Cardiff and an associate artist of BayArt gallery.

Catherine Lemblé is a Belgian photographer based in Brussels. She received her MA in photography from Luca School of Arts Brussels. Her work has been exhibited at FOMU (Antwerp), De Brakke Grond (Amsterdam), Contretype (Brussels), Musée de la Photographie (Charleroi) and Helsinki Photo Festival, amongst others. She was selected for .tiff (FOMU, Antwerp) and FUTURES (European Photography Platform) in 2024. Her photographs have been featured in publications such as Stern, De Standaard, and Frankfurter Allgemeine Quarterly. She self-published her first book, Cabin Fever, in 2019. Her ana­log pictures examine the ever-chang­ing rela­tion­ship between man and the natural world. She is currently working on her second photo book, Only Barely Still. The project challenges conventional ideas about the Arctic and highlights the underrepresented presence of women in Svalbard. It explores the relationship between women, nature, and the role language plays in shaping our perception of our environment.

Visual artist, burned-out climate activist, educator. Born in 1987 in Warsaw, Poland. Graduate of the University of Arts in Poznań , majoring in Photography. She heads the Second Studio of Photography (together with Dr. Mariusz Filipowicz) and the Studio of Photography Basics at the Faculty of Graphics of the Academy of Fine Arts in Warsaw. A member of the Pracownia Wschodnia Association, the Program Council of the Pracownia Wschodnia Gallery, and the P.H.U. Sitex collective. She is interested in grassroots practices of self-organisation and resistance. She navigates the conceptual realm that exists both within and beyond the binary oppositions foundational to the construction of Western civilization (‘culture versus nature’ and ‘art versus science’). She employs various strategies – visual art, academic research, activist experience – to transcend, deconstruct and rethink these binaries, bringing seemingly heterogeneous fi elds of knowledge to life. Although her practice is based on abstract ideas, the artist always remains close to material reality, focusing on ways of understanding (and feeling) how parts of the ecosystem live and die and how they affect each other.

Tashiya de Mel is a photographer, environmental advocate, and communications specialist from Colombo, Sri Lanka who uses visual storytelling to create narratives that drive social change. Her practice explores the nature and possibilities of documentary image-making and deals with themes such as colonial histories, representation, heritage, family, landscapes, and the climate crisis. Tashiya is driven by a curiosity to forge connections with diverse disciplines such as art, history, academia and the environment. And find ways of bridging these disciplines through different forms of image-based media.

She was the recipient of the Visura grants for freelance visual journalists in 2023 for her project ‘Great Sandy River’ and received the Stroom talent award in 2024. Tashiya is a recent graduate of the ‘Photography and Society’ masters programme at the Royal Academy of Arts in The Hague (NL). She is based between Colombo and the Hague.

Cosmin Gârleșteanu was born in August 1984, in Bucharest. He studied at the Academy for Economic Studies – The Accounting Faculty, but his passion for music drove him to a different kind of job, in radio. Nowadays he works as a video editor in television. Photography has always been among his passions, due to the feeling of freedom it gives him, before anything else.

Influenced from an early age by the culture of photojournalism, Elliott Verdier soon began to question his position as a witness and the subjectivity of his gaze. His work is naturally far removed from current events and favours the slowness of the camera, exploring the shadows of our world in search of what is invisible but universal: the memory of present and past lives, and the path it determines for us. His photography emanates a melancholy expectation, a suspended time, a silence that gives way to our existential questioning. Through a delicate aesthetic, it is no longer a question of looking solely through the prism of our wounds, but of seeing above all the grace that emerges from our struggles, and the constant resilience that overcomes our frailties. Elliott Verdier was born in Paris (France) in 1992 and graduated from the Écoles de Condé in 2015.

Tashiya de Mel is a photographer, environmental advocate, and communications specialist from Colombo, Sri Lanka who uses visual storytelling to create narratives that drive social change. Her practice explores the nature and possibilities of documentary image-making and deals with themes such as colonial histories, representation, heritage, family, landscapes, and the climate crisis. Tashiya is driven by a curiosity to forge connections with diverse disciplines such as art, history, academia and the environment. And find ways of bridging these disciplines through different forms of image-based media.

She was the recipient of the Visura grants for freelance visual journalists in 2023 for her project ‘Great Sandy River’ and received the Stroom talent award in 2024. Tashiya is a recent graduate of the ‘Photography and Society’ masters programme at the Royal Academy of Arts in The Hague (NL). She is based between Colombo and the Hague.

Anna Safiatou Touré (Bamako, Mali, born in 1996) is a Franco-Malian multidisciplinary artist based in Brussels. She graduated from the Nantes Saint-Nazaire School of Fine Arts and the ENSAV La Cambre in photography. Anna Safiatou was awarded the Médiatine Prize in 2022 and the Roger De Conynck Fund in 2023-24. Her work explores the space that unites or separates the two sides of every migratory narrative. The journey through this personal, historical, and cultural blending fills for her empty or unanswered spaces. On her own scale, she wishes to materialize this absence by creating her own evidence to make history heard—rendering the absence visible to tell stories from these new bodies. Like a certain poetry of emptiness, couldn’t the world be told in reverse, like a stencil, from the edge?