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Jaka Teršek
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Jaka Teršek (b. 1997, Slovenia) is a photographer and visual artist whose work explores themes of national identity, mythology, and the interplay between geography and human culture. He frequently combines photography with text, creating narratives that blur the boundaries between fact and ction. He holds a BA in Photography from the Academy of Fine Arts and Design at the University of Ljubljana and an MFA from the Royal Academy of Fine Arts Antwerp, where he is currently engaged as an artistic researcher. His series OWL, FOX, HEDGEHOG, DEER was analist in the Blurring the Lines competition organized by Paris College of Art in 2022 and was shortlisted for the PhMuseum Photography Grant in 2023. Jaka has exhibited in numerous group and solo exhibitions, including at FOMU Antwerp, Gallery Artget Belgrade, Plečnik House Gallery, Gallery DobraVaga Ljubljana, and UGM Maribor. He is also a founding member of the collectives Fotosfera and Študio.
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Jaka Teršek
was nominated by
FOMU
in
2025
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Each year every member of the FUTURES European Photography Platform nominates a set of artists and projects to become part of the FUTURES network.
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Born in 2001, Chernihiv, Ukraine. Started doing photography in 2019.
Graduated the cinematography faculty of the Kyiv National I. K. Karpenko-Kary Theatre, Cinema and Television University.
In 2019 completed the MYPH school from Serhiy Melnitchenko and the concept photography course from Roman Pyatkovka in 2020.
Member of UWPO and UAPP.
Jaka Teršek (b. 1997, Slovenia) is a photographer and visual artist whose work explores themes of national identity, mythology, and the interplay between geography and human culture. He frequently combines photography with text, creating narratives that blur the boundaries between fact and ction. He holds a BA in Photography from the Academy of Fine Arts and Design at the University of Ljubljana and an MFA from the Royal Academy of Fine Arts Antwerp, where he is currently engaged as an artistic researcher. His series OWL, FOX, HEDGEHOG, DEER was analist in the Blurring the Lines competition organized by Paris College of Art in 2022 and was shortlisted for the PhMuseum Photography Grant in 2023. Jaka has exhibited in numerous group and solo exhibitions, including at FOMU Antwerp, Gallery Artget Belgrade, Plečnik House Gallery, Gallery DobraVaga Ljubljana, and UGM Maribor. He is also a founding member of the collectives Fotosfera and Študio.
Tashiya de Mel is a photographer, environmental advocate, and communications specialist from Colombo, Sri Lanka who uses visual storytelling to create narratives that drive social change.
Her practice explores the nature and possibilities of documentary image-making and deals with themes such as colonial histories, representation, heritage, family, landscapes, and the climate crisis.
Tashiya is driven by a curiosity to forge connections with diverse disciplines such as art, history, academia and the environment. And find ways of bridging these disciplines through different forms of image-based media.
She was the recipient of the Visura grants for freelance visual journalists in 2023 for her project ‘Great Sandy River’ and received the Stroom talent award in 2024. Tashiya is a recent graduate of the ‘Photography and Society’ masters programme at the Royal Academy of Arts in The Hague (NL). She is based between Colombo and the Hague.
She was the recipient of the Visura grants for freelance visual journalists in 2023 for her project ‘Great Sandy River’ and received the Stroom talent award in 2024. Tashiya is a recent graduate of the ‘Photography and Society’ masters programme at the Royal Academy of Arts in The Hague (NL). She is based between Colombo and the Hague.
Adi Tudose (b. 1987, Bucharest) is an artist-photographer based in Budapest. After
completing his studies at The National University of Theatre and Film, he further
expanded his artistic vision through experiences in Milano. He is pursuing an MA in
Photography at Moholy-Nagy University of Art and Design, where his practice continues evolving. For him, the camera is far more than a tool—it is a medium through which he connects with the world around him. The streets become dynamic, ever-changing spaces where unpredictable encounters unfold. Immersing himself fully in these environments, Tudose approaches his subjects with empathy and sensitivity, capturing their lives with care and revealing emotional depth and vulnerability.
Tudose can transform fleeting, transient moments into cohesive compositions, bringing order and harmony to the everyday. Through this process, he taps into the
subconscious, offering viewers a sense of unity within the chaos. His seamless blending of form and content sets him apart, creating simple yet mysterious representations. His work is characterized by cohesive framing, a rich interplay of diverse elements, and tuned figure-to-ground relationships. Tudose’s work offers an invitation to reflect on what photography can reveal about the human condition. Each frame carries layers of emotional and sociological insight, capturing the essence of his subjects while creating space for the viewer to connect with them on a personal level. Each photograph becomes more than a visual representation; it transforms into a deeply felt emotional experience.
Empathy and vulnerability lie at the core of Tudose’s creative process, enabling him to
form deeper connections with his subjects and uncover meaningful relationships that
might otherwise remain hidden. His work seeks to evoke genuine emotions, delving into themes of social and gender representation while fostering a sense of belonging. In doing so, he transforms emotional disconnection into moments of peace and truth.
As an artist, Tudose is committed to long-term projects that tell meaningful stories, ones that challenge him to confront fear, embrace vulnerability, and transform his personal experiences into shared human truths. His photography doesn’t just document—it transcends, offering symbols of connection and hope in a chaotic world.
Viacheslav Poliakov is a visual artist, photographer, graphic designer. He was born in 1986 in Kherson, Ukraine. Obtained a master’s degree in art education from Kherson State University. Now based in Lviv, Ukraine.
His art practice exists on the intersection of documentary photography and design. He's interested in objects and spaces made by people, the historic background behind the urban landscape.
Viacheslav is a finalist of Foam Talents, Vienna Photobook Festival, Circulations, Krakow Photomonth Showoff, Fotofestival Lodz Grand Prix, Prix Levallois. His works were published in the Foam Magazine, The British Journal of Photography, GUP magazine, Lensculture, The Washington Post.
Carlos Trancoso, a portuguese visual artist based in Porto, uses the photographic gaze in a critical perspective on the way the human being relates to technology. His work aims to challenge established patterns of both interaction and creation of images in contemporary society. Although he uses fictional approaches, his work intermingles with a documental photography language, creating cameraless images, mixed media and computer generated images. He is a founding member of Barda collective, which utilizes visual arts to foster social cohesion. He has exhibited at festivals such as Photoalicante, Backlight (2020), Photo Open Up, f/est Amarante (2022), Athens Digital Arts Festival (2023), Bienal da Maia (2021/2023) and Bienal de Fotografia do Porto (2025) . His works have also been exhibited in spaces such as Galeria FFAC, Galeria Dentro and MIRA FORUM in Porto, Casa do Capitão and XYZ Books in Lisbon and El Local in Madrid.
Kristīne Krauze-Slucka explores the materiality of industrially produced objects as a foundation for pseudo-social anthropological inquiries. Her creative approach mirrors that of a hunter-gatherer, navigating the world through observation, chance, and intuitive associations. She creates objects, installations, and works with photography not merely as a visual medium but as a tactile, sensory experience, emphasizing the material and physical processes involved in image-making.
Krauze-Slucka holds a Master’s degree in Fine Arts from the Visual Communication Department of the Latvian Academy of Arts. She was awarded the Grand Prix of the Nordic and Baltic Young Artist Award in 2020 and has been twice nominated for the prestigious Purvītis Prize.
Camille Poitevin (b. Montreal, Canada, 1996) is a multidisciplinary artist based in Brussels. She earned a BA in applied arts from Concordia University in Montreal (2018) and an MA in photography from ENSAV La Cambre in Brussels (2022), where she was awarded a creation grant by the King Baudouin Foundation and the Servix Prize. Her work has since been exhibited in Belgium (Beursschouwburg, BPS22, Hangar Art Center, Ateliers Mommen, HISK Gosset Site, CAL Charleroi), the Netherlands (as part of Currents#10 program at Marres Huis voor Hedendaagse Cultuur), France (FRAC Franche-Comté), and Spain (InCadaqués OFF). In 2025, she will participate in the collective exhibition Art au Centre in public space in Liège. Poitevin currently works in a collective studio as part of the Young European Artists' program in Brussels.
Vitalii Halanzha (b. 1991) is a Ukrainian artist photographer living and working in Kyiv.
His artistic practice involves engagement with the landscape, employing it as a dynamic medium to investigate the complex relationships between natural processes and society.
In 2015, he received an MA in Political Science from Kyiv National Pedagogical University and graduated from Marushchenko Photoschool. Since then, he has participated in numerous educational programs led by international artists, including a year-long photobook-making program by Image Threads Collective. Vitalii has been selected as an artist for the third cycle of a Parallel Photo Platform in 2019-20.
His works have been exhibited in numerous galleries and festivals, such as Landskrona Foto, Les Rencontres d'Arles, Odesa Photo Days, Lodz Fotofestiwal, Photo London, etc.
Adi Tudose (b. 1987, Bucharest) is an artist-photographer based in Budapest. After
completing his studies at The National University of Theatre and Film, he further
expanded his artistic vision through experiences in Milano. He is pursuing an MA in
Photography at Moholy-Nagy University of Art and Design, where his practice continues evolving. For him, the camera is far more than a tool—it is a medium through which he connects with the world around him. The streets become dynamic, ever-changing spaces where unpredictable encounters unfold. Immersing himself fully in these environments, Tudose approaches his subjects with empathy and sensitivity, capturing their lives with care and revealing emotional depth and vulnerability.
Tudose can transform fleeting, transient moments into cohesive compositions, bringing order and harmony to the everyday. Through this process, he taps into the
subconscious, offering viewers a sense of unity within the chaos. His seamless blending of form and content sets him apart, creating simple yet mysterious representations. His work is characterized by cohesive framing, a rich interplay of diverse elements, and tuned figure-to-ground relationships. Tudose’s work offers an invitation to reflect on what photography can reveal about the human condition. Each frame carries layers of emotional and sociological insight, capturing the essence of his subjects while creating space for the viewer to connect with them on a personal level. Each photograph becomes more than a visual representation; it transforms into a deeply felt emotional experience.
Empathy and vulnerability lie at the core of Tudose’s creative process, enabling him to
form deeper connections with his subjects and uncover meaningful relationships that
might otherwise remain hidden. His work seeks to evoke genuine emotions, delving into themes of social and gender representation while fostering a sense of belonging. In doing so, he transforms emotional disconnection into moments of peace and truth.
As an artist, Tudose is committed to long-term projects that tell meaningful stories, ones that challenge him to confront fear, embrace vulnerability, and transform his personal experiences into shared human truths. His photography doesn’t just document—it transcends, offering symbols of connection and hope in a chaotic world.
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During the Summer 2020 lockdown he launched the critical publication OVER Journal, now distributed globally. He received the Arts Council of Ireland’s Visual Arts Bursary to deepen research on the broad historical and specific artistic context of Photography in Ireland, to curate an ambitious survey exhibition in PhotoIreland Festival 2022 and to publish a series of publications on the matter. He regularly contributes to publications such as the forthcoming The Routledge Companion to Global Photographies, edited by Lucy Soutter, Duncan Wooldridge.
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I’ve always loved photography, even if it sounds like a cliche. The first photos I took, I did without knowing how to do that, without paying any attention to framing, subject or composition. After a while, I began to understand what is happening in the space between me as a photographer and the subject I was photographing. And many years later, I also understood why I love to photograph. To communicate. A message, a concept, an emotion.