![](https://cdn.prod.website-files.com/66a8941beee6e2bb59ba04ca/67a1d4297bb71d3554cfdb70_Halanzha_Vitalii_Header.jpeg)
The
Artist
Vitalii Halanzha
Lives and Works in
Ukraine
Vitalii Halanzha (b. 1991) is a Ukrainian artist photographer living and working in Kyiv.
His artistic practice involves engagement with the landscape, employing it as a dynamic medium to investigate the complex relationships between natural processes and society.
In 2015, he received an MA in Political Science from Kyiv National Pedagogical University and graduated from Marushchenko Photoschool. Since then, he has participated in numerous educational programs led by international artists, including a year-long photobook-making program by Image Threads Collective. Vitalii has been selected as an artist for the third cycle of a Parallel Photo Platform in 2019-20.
His works have been exhibited in numerous galleries and festivals, such as Landskrona Foto, Les Rencontres d'Arles, Odesa Photo Days, Lodz Fotofestiwal, Photo London, etc.
Projects
No uploaded projects...
Vitalii Halanzha
was nominated by
Odesa Photo Days Festival
in
2025
Show all projects
Each year every member of the FUTURES European Photography Platform nominates a set of artists and projects to become part of the FUTURES network.
Related artists
More artists that you might
like to explore
All artistslike to explore
![](https://cdn.prod.website-files.com/66a8941beee6e2bb59ba04ca/67a1f834a8d6aa3469f13bb6_Ters%25CC%258Cek_Jaka_OWL%252C%2BFOX%252C%2BHEDGEHOG%252C%2BDEER_-14.jpeg)
Jaka Teršek (b. 1997, Slovenia) is a photographer and visual artist whose work explores themes of national identity, mythology, and the interplay between geography and human culture. He frequently combines photography with text, creating narratives that blur the boundaries between fact and ction. He holds a BA in Photography from the Academy of Fine Arts and Design at the University of Ljubljana and an MFA from the Royal Academy of Fine Arts Antwerp, where he is currently engaged as an artistic researcher. His series OWL, FOX, HEDGEHOG, DEER was analist in the Blurring the Lines competition organized by Paris College of Art in 2022 and was shortlisted for the PhMuseum Photography Grant in 2023. Jaka has exhibited in numerous group and solo exhibitions, including at FOMU Antwerp, Gallery Artget Belgrade, Plečnik House Gallery, Gallery DobraVaga Ljubljana, and UGM Maribor. He is also a founding member of the collectives Fotosfera and Študio.
![](https://cdn.prod.website-files.com/66a8941beee6e2bb59ba04ca/67a1f834a8d6aa3469f13bb9_Ters%25CC%258Cek_Jaka_OWL%252C%2BFOX%252C%2BHEDGEHOG%252C%2BDEER_-2.jpeg)
![](https://cdn.prod.website-files.com/66a8941beee6e2bb59ba04ca/67a1f834a8d6aa3469f13c05_Ters%25CC%258Cek_Jaka_OWL%252C%2BFOX%252C%2BHEDGEHOG%252C%2BDEER_-3.jpeg)
![](https://cdn.prod.website-files.com/66a8941beee6e2bb59ba04ca/670d4908252c7bce52c58f45_Self-Portrait-Los-Angeles%25C2%25A9Tony-Doc%25CC%258Cekal.avif)
Tony Dočekal (1992, Amsterdam) is a photographer and visual artist whose work focuses on identity, belonging, and the shared human condition. Her practice is shaped by encounters with individuals and communities on the road, with a particular interest in the resilience and adaptability of people living on society’s margins.
Her first monograph, The Color of Money and Trees, explores the tension between material success and deeper fulfillment, asking if true prosperity lies in community and self-awareness rather than wealth and possessions. The series includes Chad on Skid Row, which won the Zilveren Camera Portrait Award in 2021, and Lyric at El Pais, a portrait of a young girl living off the grid in Arizona. The work navigates the balance between societal expectations and individual freedom.
Tony’s debut short film, Pearls on Credit, reflects on how personal identity is shaped by broader economic systems and societal expectations. Shown alongside an installation of The Color of Money and Trees at Biennale Images Vevey, it deepens Tony’s exploration of the pressures individuals face in navigating these structures.
Tony holds a Bachelor’s degree in Fine Arts from ArtEZ University of the Arts and has received recognition, including the Olympus Young Talent Award and De Burgemeester de Bruinprijs.
![](https://cdn.prod.website-files.com/66a8941beee6e2bb59ba04ca/670d4909252c7bce52c59132_Chad-Skid-Row-%25C2%25A9Tony-Doc%25CC%258Cekal.avif)
![](https://cdn.prod.website-files.com/66a8941beee6e2bb59ba04ca/670d4908252c7bce52c58f41_Lyric-El-Pais-%25C2%25A9Tony-Doc%25CC%258Cekal.avif)
![](https://cdn.prod.website-files.com/66a8941beee6e2bb59ba04ca/67a1f834a8d6aa3469f13bb6_Ters%25CC%258Cek_Jaka_OWL%252C%2BFOX%252C%2BHEDGEHOG%252C%2BDEER_-14.jpeg)
Jaka Teršek (b. 1997, Slovenia) is a photographer and visual artist whose work explores themes of national identity, mythology, and the interplay between geography and human culture. He frequently combines photography with text, creating narratives that blur the boundaries between fact and ction. He holds a BA in Photography from the Academy of Fine Arts and Design at the University of Ljubljana and an MFA from the Royal Academy of Fine Arts Antwerp, where he is currently engaged as an artistic researcher. His series OWL, FOX, HEDGEHOG, DEER was analist in the Blurring the Lines competition organized by Paris College of Art in 2022 and was shortlisted for the PhMuseum Photography Grant in 2023. Jaka has exhibited in numerous group and solo exhibitions, including at FOMU Antwerp, Gallery Artget Belgrade, Plečnik House Gallery, Gallery DobraVaga Ljubljana, and UGM Maribor. He is also a founding member of the collectives Fotosfera and Študio.
![](https://cdn.prod.website-files.com/66a8941beee6e2bb59ba04ca/67a1f834a8d6aa3469f13bb9_Ters%25CC%258Cek_Jaka_OWL%252C%2BFOX%252C%2BHEDGEHOG%252C%2BDEER_-2.jpeg)
![](https://cdn.prod.website-files.com/66a8941beee6e2bb59ba04ca/67a1f834a8d6aa3469f13c05_Ters%25CC%258Cek_Jaka_OWL%252C%2BFOX%252C%2BHEDGEHOG%252C%2BDEER_-3.jpeg)
![](https://cdn.prod.website-files.com/66a8941beee6e2bb59ba04ca/67a1f834a8d6aa3469f13bb6_Ters%25CC%258Cek_Jaka_OWL%252C%2BFOX%252C%2BHEDGEHOG%252C%2BDEER_-14.jpeg)
Jaka Teršek (b. 1997, Slovenia) is a photographer and visual artist whose work explores themes of national identity, mythology, and the interplay between geography and human culture. He frequently combines photography with text, creating narratives that blur the boundaries between fact and ction. He holds a BA in Photography from the Academy of Fine Arts and Design at the University of Ljubljana and an MFA from the Royal Academy of Fine Arts Antwerp, where he is currently engaged as an artistic researcher. His series OWL, FOX, HEDGEHOG, DEER was analist in the Blurring the Lines competition organized by Paris College of Art in 2022 and was shortlisted for the PhMuseum Photography Grant in 2023. Jaka has exhibited in numerous group and solo exhibitions, including at FOMU Antwerp, Gallery Artget Belgrade, Plečnik House Gallery, Gallery DobraVaga Ljubljana, and UGM Maribor. He is also a founding member of the collectives Fotosfera and Študio.
![](https://cdn.prod.website-files.com/66a8941beee6e2bb59ba04ca/67a1f834a8d6aa3469f13bb9_Ters%25CC%258Cek_Jaka_OWL%252C%2BFOX%252C%2BHEDGEHOG%252C%2BDEER_-2.jpeg)
![](https://cdn.prod.website-files.com/66a8941beee6e2bb59ba04ca/67a1f834a8d6aa3469f13c05_Ters%25CC%258Cek_Jaka_OWL%252C%2BFOX%252C%2BHEDGEHOG%252C%2BDEER_-3.jpeg)
![](https://cdn.prod.website-files.com/66a8941beee6e2bb59ba04ca/679cbf69cdd38adc86f7fcc5_MariaH%25C3%2583%25C2%25B8yHansen.jpeg)
Maria Høy Hansen, b. 1995, is a Danish photojournalist with a BA from the Danish School of Media & Journalism. Through in-depth photography, her self-chosen work mainly focuses on systemic stories about human rights issues and ideology. Working with sensitive topics Maria’s work always starts with considerations of the lives of people in front of her and her role in portraying them.
![](https://cdn.prod.website-files.com/66a8941beee6e2bb59ba04ca/679cbf69cdd38adc86f7fd17_Hansen_Maria_Hidden-Away_011.jpeg)
![](https://cdn.prod.website-files.com/66a8941beee6e2bb59ba04ca/679cbf69cdd38adc86f7fd1d_Hansen_Maria_Hidden-Away_07.jpeg)
![](https://cdn.prod.website-files.com/66a8941beee6e2bb59ba04ca/67a1f834a8d6aa3469f13bb6_Ters%25CC%258Cek_Jaka_OWL%252C%2BFOX%252C%2BHEDGEHOG%252C%2BDEER_-14.jpeg)
Jaka Teršek (b. 1997, Slovenia) is a photographer and visual artist whose work explores themes of national identity, mythology, and the interplay between geography and human culture. He frequently combines photography with text, creating narratives that blur the boundaries between fact and ction. He holds a BA in Photography from the Academy of Fine Arts and Design at the University of Ljubljana and an MFA from the Royal Academy of Fine Arts Antwerp, where he is currently engaged as an artistic researcher. His series OWL, FOX, HEDGEHOG, DEER was analist in the Blurring the Lines competition organized by Paris College of Art in 2022 and was shortlisted for the PhMuseum Photography Grant in 2023. Jaka has exhibited in numerous group and solo exhibitions, including at FOMU Antwerp, Gallery Artget Belgrade, Plečnik House Gallery, Gallery DobraVaga Ljubljana, and UGM Maribor. He is also a founding member of the collectives Fotosfera and Študio.
![](https://cdn.prod.website-files.com/66a8941beee6e2bb59ba04ca/67a1f834a8d6aa3469f13c05_Ters%25CC%258Cek_Jaka_OWL%252C%2BFOX%252C%2BHEDGEHOG%252C%2BDEER_-3.jpeg)
![](https://cdn.prod.website-files.com/66a8941beee6e2bb59ba04ca/67a1f834a8d6aa3469f13bb9_Ters%25CC%258Cek_Jaka_OWL%252C%2BFOX%252C%2BHEDGEHOG%252C%2BDEER_-2.jpeg)
![](https://cdn.prod.website-files.com/66a8941beee6e2bb59ba04ca/67a1f834a8d6aa3469f13bb6_Ters%25CC%258Cek_Jaka_OWL%252C%2BFOX%252C%2BHEDGEHOG%252C%2BDEER_-14.jpeg)
Jaka Teršek (b. 1997, Slovenia) is a photographer and visual artist whose work explores themes of national identity, mythology, and the interplay between geography and human culture. He frequently combines photography with text, creating narratives that blur the boundaries between fact and ction. He holds a BA in Photography from the Academy of Fine Arts and Design at the University of Ljubljana and an MFA from the Royal Academy of Fine Arts Antwerp, where he is currently engaged as an artistic researcher. His series OWL, FOX, HEDGEHOG, DEER was analist in the Blurring the Lines competition organized by Paris College of Art in 2022 and was shortlisted for the PhMuseum Photography Grant in 2023. Jaka has exhibited in numerous group and solo exhibitions, including at FOMU Antwerp, Gallery Artget Belgrade, Plečnik House Gallery, Gallery DobraVaga Ljubljana, and UGM Maribor. He is also a founding member of the collectives Fotosfera and Študio.
![](https://cdn.prod.website-files.com/66a8941beee6e2bb59ba04ca/67a1f834a8d6aa3469f13bb9_Ters%25CC%258Cek_Jaka_OWL%252C%2BFOX%252C%2BHEDGEHOG%252C%2BDEER_-2.jpeg)
![](https://cdn.prod.website-files.com/66a8941beee6e2bb59ba04ca/67a1f834a8d6aa3469f13c05_Ters%25CC%258Cek_Jaka_OWL%252C%2BFOX%252C%2BHEDGEHOG%252C%2BDEER_-3.jpeg)
![](https://cdn.prod.website-files.com/66a8941beee6e2bb59ba04ca/67a095d5235e8b843f902a5f_portrait%2Blow%2Bres.jpeg)
Emilia Martin is a Polish artist and photographer based in The Hague, Netherlands, where in 2022 she graduated from Photography & Society Masters at the Royal Academy of the Art. Working with photography, writing, and sound, she explores how the stories we tell shape the realities we inhabit. She investigates mythologies and tales, and how they fluctuate and shift throughout histories. Through her work, she aims to complicate the binary understandings of fiction and truth and their established aesthetics. Her process is based on careful research and personal, often playful approaches, through which she questions dominant narratives.
The belief in storytelling is rooted in her upbringing, where she engaged with both rural mythologies and urban narratives. She grew up between two different realities: a remote farm belonging to her grandmother in rural Eastern Poland and a heavy industry coal mining urban region in the West of the country. The clash between these two realities, the narrative of extractivism against rural mythologies and the proximity of nature, formed a place that continues to ground her artistic practice. Her work is inspired and informed by her rural Polish ancestry and intersectional feminist approaches.
![](https://cdn.prod.website-files.com/66a8941beee6e2bb59ba04ca/67a095d5235e8b843f902a63_Martin_Emilia_I%2Bsaw%2Ba%2Btree%2Bbearing%2Bstones%2Bin%2Bthe%2Bplace%2Bof%2Bapples%2Band%2Bpears_the%2Blegend%2Bof%2Bthe%2Bholed%2Brock_011.jpeg)
![](https://cdn.prod.website-files.com/66a8941beee6e2bb59ba04ca/67a095d6235e8b843f902ade_Martin_Emilia_I%2Bsaw%2Ba%2Btree%2Bbearing%2Bstones%2Bin%2Bthe%2Bplace%2Bof%2Bapples%2Band%2Bpears_godsips_010.jpeg)
![](https://cdn.prod.website-files.com/66a8941beee6e2bb59ba04ca/67a0956e5d8209af499ade53_Screenshot%2B2024-11-03%2Bat%2B19.52.42.png)
Top researches the topics of mass surveillance, privacy, data collection.In his practice, he layers a traditional approach to documentary research with a more experimental use of new technologies (such as facial recognition, movement analysis, and deepfakes). The artist uses these technologies to visualise and examine scenarios in which people can protect themselves and their rights by gaining knowledge and reclaiming control of surveillance tools.
Top’s projects addressing human rights, police misconduct and facial recognition during protests aim to contrast the abstract nature of the algorithmic mechanisms behind mass surveillance, by providing a concrete visualisation of the phenomenon and confronting the public with the extensive amount of surveillance societies are subjected to and the ethical risks deriving, finally offering theoretical solutions.
![](https://cdn.prod.website-files.com/66a8941beee6e2bb59ba04ca/67a0956e5d8209af499ade19_Top_Marcel_06.jpeg)
![](https://cdn.prod.website-files.com/66a8941beee6e2bb59ba04ca/67a0956e5d8209af499adddb_Face%2Bof%2BSara%2BHodges_MarcelTop_SaraHodges5.jpeg)
![](https://cdn.prod.website-files.com/66a8941beee6e2bb59ba04ca/67a2296787e89fb247a4f6d6_Schlachter_Constantin-Les_Ombres_de_nos_constellations_006.jpeg)
Constantin Schlachter’s research takes place through an exploration of interior and exterior landscapes. Nature, the invisible and matter are dominant entities in his work. His experimental approach to the techniques he employs aims to put a less anthropocentric world into perspective, and to re-enchant nature. This mysterious entity that takes hold of each viewer in its own way, because it’s eloquent for everyone, but never entirely translatable.
Through different media linked to photography, he questions matter and its synesthetic power. By inverting the scales, colours and textures of the elements presented, he induces a confusion of senses in the viewer, revealing deeper ones. His images invite us to let go, to enter a contemplative state in which we can project our emotions.
His cosmic and telluric images, in which matter plays a predominant role, merge the microcosm and the macrocosm. In the course of his work, the artist increasingly seeks to erase his own presence to highlight that of his subject.
Constantin Schlachter was born in Altkirch in 1992 and graduated from Les Gobelins in 2014. He lives and works in Paris.
![](https://cdn.prod.website-files.com/66a8941beee6e2bb59ba04ca/67a2296787e89fb247a4f6da_Schlachter_Constantin-Polyphonies_des_invisibles_001.jpeg)
![](https://cdn.prod.website-files.com/66a8941beee6e2bb59ba04ca/67a2296787e89fb247a4f6de_Schlachter_Constantin-Nigredo_008.jpeg)
Related professionals
Other professionals that might be interesting
All professionals![](https://cdn.prod.website-files.com/66a8941beee6e2bb59ba04ca/6763e543c18c08fbfcf9a3c0__DSC0988%2B%25282%2529.jpeg)
Emese Mucsi is a Hungarian-born curator, and art critic. Emese curates exhibitions where photography is interpreted in the context of contemporary art and works with artists who have an expanded idea of photography and produce photo-based works. Her projects bring together artists and photographers with photojournalists, writers, editors, and other thinkers to experiment with new approaches to photography. She graduated from the Faculty of Contemporary Art Theory and Curatorial Studies at the Hungarian University of Fine Arts in 2013, and from the Faculty of Hungarian Literature and Linguistics at the University of Szeged in 2017. She is a member of the curators’ collective BÜRO imaginaire since 2012. Since 2013, she ran projects as a freelance curator. From 2014 to 2018, she was the Editor-in-Chief of Artmagazin Online. Emese is a curator of the Robert Capa Contemporary Photography Center, Budapest since 2018. She is the member of Global Photographies Network since 2020. She founded DOXA exhibition space and editorial den in 2022. She is doing her PhD in the Film, Media, and Contemporary Culture PhD program at Eötvös Loránd University. Emese is a guest lecturer at the Moholy-Nagy University of Art and Design (2023) and the University of Szeged (2024).
![](https://cdn.prod.website-files.com/66a8941beee6e2bb59ba04ca/6758ad22e7b5cebc0a1a5d74_Angel_by_Matthew_Thompson.jpeg)
Ángel Luis González Fernández is a designer, artist, and curator supporting engaging visual arts practices, winner of Business to Arts David Manley Emerging Entrepreneur Awards 2011.
His work manifests through PhotoIreland, which he founded in 2010 to stimulate a critical dialogue on Photography. He devises curatorial projects placing conversations in the public realm around visual culture, critical thinking. These include events (PhotoIreland Festival, Halftone Print Fair, arts residency How to Flatten a Mountain, and New Irish Works), a cultural hub (The Library Project: Ireland’s Art bookshop, host to a unique resource library of photobooks and a productive arts programme), publishing projects that distribute inexpensive access to local practices, research projects (Critical Academy: examining contemporary art practices). He works collaboratively with a growing network of organisations, noticeably through ambitious Creative Europe partnerships.
During the Summer 2020 lockdown he launched the critical publication OVER Journal, now distributed globally. He received the Arts Council of Ireland’s Visual Arts Bursary to deepen research on the broad historical and specific artistic context of Photography in Ireland, to curate an ambitious survey exhibition in PhotoIreland Festival 2022 and to publish a series of publications on the matter. He regularly contributes to publications such as the forthcoming The Routledge Companion to Global Photographies, edited by Lucy Soutter, Duncan Wooldridge.
See some of his Graphic and Web Design work in the 100 Design Archive.
![](https://cdn.prod.website-files.com/66a8941beee6e2bb59ba04ca/6758aa12e053700fae0d5916_PhotoIreland_Julia_Gelezova_%25C2%25A9AislingMcCoy.jpeg)
Julia Gelezova is a Cultural Producer and Curator, specialising in contemporary lens-based practices. She is General and Project Manager for PhotoIreland, producing events throughout the year like the annual PhotoIreland Festival and Critical Academy, while collaborating on ambitious projects like Creative Europe Photography Platforms—Parallel and Futures. Julia is co-editor of OVER Journal: The Critical Journal of Photography and Visual Culture for the 21st Century. In 2024, she has founded vicinities.network - a peer network for Visual Arts curators and professionals based in Ireland.
She has ample experience in producing exhibitions and events, including curatorial work and project management, has vast and successful experience in personal and collective application writing for bodies like the Arts Council of Ireland and local councils. She has participated in portfolio reviews, acted as visiting lecturer, and also worked in an editorial capacity and translation for artists and other arts professionals, including work for The Routledge Guide to Photography and Visual Culture. Most recently, she curated the 2021 edition of PhotoIreland Festival and was the Centre Culturel Irlandais cultural producer resident 2022. She is a member of the AICA International Association of Art Critics.
![](https://cdn.prod.website-files.com/66a8941beee6e2bb59ba04ca/6797a8547a0e1f1dd7df7639_67189f5444b54b673ef76361_786-656246341-500x500.png)
Iveta Gabaliņa (1979) is a curator, artist and educator. She has studied photography at the studio of Andrejs Grants, at Bournemouth Art Institute, and in the MA programme at Alto University in Helsinki. Her work has been exhibited in Latvia and internationally, including at C/O (Berlin, Germany), GESTE (Paris), and Williams Tower Gallery (Houston, USA). Gabaliņa has participated in photography festivals in Singapore, Hanover, and elsewhere. Her work is included in the collections of the Victoria & Albert Museum, Geste Paris, and the Deutsche Börse Art Collection.
Since 2008 she has been part of ISSP team, responsible for numerous educational and curatorial projects. In 2018 she founded ISSP Gallery - an exhibition space dedicated to contemporary photography.
![](https://cdn.prod.website-files.com/66a8941beee6e2bb59ba04ca/67a0fccd1c15ff35e5de8e8b_670cce9ab3352be8c055f19d_Sebastian%252BVaida.jpeg)
I’ve always loved photography, even if it sounds like a cliche. The first photos I took, I did without knowing how to do that, without paying any attention to framing, subject or composition. After a while, I began to understand what is happening in the space between me as a photographer and the subject I was photographing. And many years later, I also understood why I love to photograph. To communicate. A message, a concept, an emotion.