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Jaka Teršek
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Jaka Teršek (b. 1997, Slovenia) is a photographer and visual artist whose work explores themes of national identity, mythology, and the interplay between geography and human culture. He frequently combines photography with text, creating narratives that blur the boundaries between fact and ction. He holds a BA in Photography from the Academy of Fine Arts and Design at the University of Ljubljana and an MFA from the Royal Academy of Fine Arts Antwerp, where he is currently engaged as an artistic researcher. His series OWL, FOX, HEDGEHOG, DEER was analist in the Blurring the Lines competition organized by Paris College of Art in 2022 and was shortlisted for the PhMuseum Photography Grant in 2023. Jaka has exhibited in numerous group and solo exhibitions, including at FOMU Antwerp, Gallery Artget Belgrade, Plečnik House Gallery, Gallery DobraVaga Ljubljana, and UGM Maribor. He is also a founding member of the collectives Fotosfera and Študio.
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Jaka Teršek
was nominated by
FOMU
in
2025
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Each year every member of the FUTURES European Photography Platform nominates a set of artists and projects to become part of the FUTURES network.
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Born in 2001, Chernihiv, Ukraine. Started doing photography in 2019.
Graduated the cinematography faculty of the Kyiv National I. K. Karpenko-Kary Theatre, Cinema and Television University.
In 2019 completed the MYPH school from Serhiy Melnitchenko and the concept photography course from Roman Pyatkovka in 2020.
Member of UWPO and UAPP.
Younes Mohammad is Born in 1968 in Dohuk, Iraq. He’s a Kurdish freelance photographer mostly active on assignments for newspapers, magazines, etc. He spent his life in Iran as a refugee from 1974 - 1998 and graduated with an MBA University of Tehran. Photography was his passion but he had no chance to follow it while the war situation was still continuing Under Saddam’s time. In 2011 he quits his job and starts his journey as a photographer. His work has been exhibited internationally and published widely in publications.
Andrea Camiolo (Leonforte, 1998) is an Italian photographer and editor, currently a PhD candidate in "Science for Artistic Production and Heritage" at the Academy of Fine Arts in Catania.
In 2022 he was selected as one of the finalists of Paris Photo Carte Blanche, won the Comisso Prize and the Best Portfolio Prize at the Ragusa Foto Festival.
In 2023 he was selected as one of the finalists for the Luigi Ghirri Prize/Young Italian Photography #10, he was a finalist for the Terna Prize and lastly one of the winners of the ‘Italy is a Desire’ call for new works promoted by Direzione Generale Creatività Contemporanea (DGCC) of the Ministry of Culture.
Andrea has exhibited his projects in several group exhibitions at various institutions, including:
MUFOCO Museo di Fotografia Contemporanea; Palazzo Binelli, Carrara; Casa Testori, Milan; MIA Photo Fair, Milan; Fotografia Europea, Reggio Emilia; CAMERA Centro Italiano per la Fotografia, Turin; Palazzo Cosentini, Ragusa; Photo Open Up, Padua; Palazzo Giacomelli, Treviso; Verzasca Foto Festival.
His works have been acquired in the collection of MUFOCO - Museo Fotografia Contemporanea in Cinisello Balsamo and in private collections.
He is co-founder of DORSOPRESS, a small independent publishing house focused in contemporary photography.
Adi Tudose (b. 1987, Bucharest) is an artist-photographer based in Budapest. After
completing his studies at The National University of Theatre and Film, he further
expanded his artistic vision through experiences in Milano. He is pursuing an MA in
Photography at Moholy-Nagy University of Art and Design, where his practice continues evolving. For him, the camera is far more than a tool—it is a medium through which he connects with the world around him. The streets become dynamic, ever-changing spaces where unpredictable encounters unfold. Immersing himself fully in these environments, Tudose approaches his subjects with empathy and sensitivity, capturing their lives with care and revealing emotional depth and vulnerability.
Tudose can transform fleeting, transient moments into cohesive compositions, bringing order and harmony to the everyday. Through this process, he taps into the
subconscious, offering viewers a sense of unity within the chaos. His seamless blending of form and content sets him apart, creating simple yet mysterious representations. His work is characterized by cohesive framing, a rich interplay of diverse elements, and tuned figure-to-ground relationships. Tudose’s work offers an invitation to reflect on what photography can reveal about the human condition. Each frame carries layers of emotional and sociological insight, capturing the essence of his subjects while creating space for the viewer to connect with them on a personal level. Each photograph becomes more than a visual representation; it transforms into a deeply felt emotional experience.
Empathy and vulnerability lie at the core of Tudose’s creative process, enabling him to
form deeper connections with his subjects and uncover meaningful relationships that
might otherwise remain hidden. His work seeks to evoke genuine emotions, delving into themes of social and gender representation while fostering a sense of belonging. In doing so, he transforms emotional disconnection into moments of peace and truth.
As an artist, Tudose is committed to long-term projects that tell meaningful stories, ones that challenge him to confront fear, embrace vulnerability, and transform his personal experiences into shared human truths. His photography doesn’t just document—it transcends, offering symbols of connection and hope in a chaotic world.
Samira Gollin (1998) is a graphic designer and freelancing artist based in Bern, Switzerland. She graduated in 2023 with a BA in Visual Communication studies from HKB Bern. For her Bachelor thesis she took part in an artist residency in Fivizzano, a small town in the northern part of Italy, where dozens of stone menhirs exist. From her research concerning the mythical origins and stories of the stones the literary-visual work “Leave no stone unturned” was published.Samira Gollin’s artistic interests are focused on the interaction of humanity and its environment. Her work regularly concerns itself with how humans perceive reality and how perception and individual identities shape narrative and thought.In this publication she examines the authenticity and narrative story telling of historical-documentary media and its effects and affects on the audience. Throughout the work fictional aspects generated by AI are present, without them being identified.Together with artist Aarabi Kugabalan she founded the art collective "Kunst Kola". Kunst Kola is a platform for showcasing local art and cultural works. In 2023 they won the "Kulturpreis Langenthal". Their current collaborative work is about how identities are affected by displacement and war.
Emilia Martin is a Polish artist and photographer based in The Hague, Netherlands, where in 2022 she graduated from Photography & Society Masters at the Royal Academy of the Art. Working with photography, writing, and sound, she explores how the stories we tell shape the realities we inhabit. She investigates mythologies and tales, and how they fluctuate and shift throughout histories. Through her work, she aims to complicate the binary understandings of fiction and truth and their established aesthetics. Her process is based on careful research and personal, often playful approaches, through which she questions dominant narratives.
The belief in storytelling is rooted in her upbringing, where she engaged with both rural mythologies and urban narratives. She grew up between two different realities: a remote farm belonging to her grandmother in rural Eastern Poland and a heavy industry coal mining urban region in the West of the country. The clash between these two realities, the narrative of extractivism against rural mythologies and the proximity of nature, formed a place that continues to ground her artistic practice. Her work is inspired and informed by her rural Polish ancestry and intersectional feminist approaches.
Carlos Trancoso, a portuguese visual artist based in Porto, uses the photographic gaze in a critical perspective on the way the human being relates to technology. His work aims to challenge established patterns of both interaction and creation of images in contemporary society. Although he uses fictional approaches, his work intermingles with a documental photography language, creating cameraless images, mixed media and computer generated images. He is a founding member of Barda collective, which utilizes visual arts to foster social cohesion. He has exhibited at festivals such as Photoalicante, Backlight (2020), Photo Open Up, f/est Amarante (2022), Athens Digital Arts Festival (2023), Bienal da Maia (2021/2023) and Bienal de Fotografia do Porto (2025) . His works have also been exhibited in spaces such as Galeria FFAC, Galeria Dentro and MIRA FORUM in Porto, Casa do Capitão and XYZ Books in Lisbon and El Local in Madrid.
Jaka Teršek (b. 1997, Slovenia) is a photographer and visual artist whose work explores themes of national identity, mythology, and the interplay between geography and human culture. He frequently combines photography with text, creating narratives that blur the boundaries between fact and ction. He holds a BA in Photography from the Academy of Fine Arts and Design at the University of Ljubljana and an MFA from the Royal Academy of Fine Arts Antwerp, where he is currently engaged as an artistic researcher. His series OWL, FOX, HEDGEHOG, DEER was analist in the Blurring the Lines competition organized by Paris College of Art in 2022 and was shortlisted for the PhMuseum Photography Grant in 2023. Jaka has exhibited in numerous group and solo exhibitions, including at FOMU Antwerp, Gallery Artget Belgrade, Plečnik House Gallery, Gallery DobraVaga Ljubljana, and UGM Maribor. He is also a founding member of the collectives Fotosfera and Študio.
Daniel Chatard is a German-French documentary photographer and visual researcher. He investigates themes revolving around power structures, collective identity, and trauma. Looking at landscapes as vessels of collective experiences and memories, he tells human stories in their environmental context.
Daniel graduated in Photojournalism and Documentary Photography at the University of Applied Sciences and Arts Hanover, and in Photography & Society at the Royal Academy of Arts The Hague. He lives in Hamburg and works as a freelance photojournalist with media outlets such as Die ZEIT, Der Spiegel, and Bloomberg.
Daniel describes his approach as involved documentary, making his own relations to his subjects part of the work and using collaboration to create new knowledge. His long-term project Niemandsland was awarded at the World Press Photo Award and published by the Eriskay Connection in 2024.
Thi My Lien Nguyen (b. 1995) is a Swiss-Vietnamese photographer and artist based in Switzerland. She received her Bachelor's degree in Camera Arts from the Lucerne University of Applied Sciences and Arts in 2017. In her artistic practice she deals with the feeling and understanding of belonging, participation and the sense of home, whereas she is strongly interested in diasporic and post-migrant realities and stories. Through participatory and inclusive methods, performative and culinary activations she seeks to establish more inclusive spaces to create more understanding and representations between communities. She works with traditions, rituals, folklore, photography and food. Her work has been exhibited in multiple exhibitions including the 22nd Biennial Sesc_Videobrasil in São Paulo (2023), Museum Haus Konstruktiv Zürich (2023), Plat(t)form, Fotomuseum Winterthur (2022), Photo Hanoi, Vincom Center for Contemporary Art (VCCA) (2021). Nguyen is part of the curatorial team at Les Complices*, a self-organised community-based off-space in Zurich, committed to support the ideas and works of queer, trans, inter, non-binary, women* and BIPoC.
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During the Summer 2020 lockdown he launched the critical publication OVER Journal, now distributed globally. He received the Arts Council of Ireland’s Visual Arts Bursary to deepen research on the broad historical and specific artistic context of Photography in Ireland, to curate an ambitious survey exhibition in PhotoIreland Festival 2022 and to publish a series of publications on the matter. He regularly contributes to publications such as the forthcoming The Routledge Companion to Global Photographies, edited by Lucy Soutter, Duncan Wooldridge.
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I’ve always loved photography, even if it sounds like a cliche. The first photos I took, I did without knowing how to do that, without paying any attention to framing, subject or composition. After a while, I began to understand what is happening in the space between me as a photographer and the subject I was photographing. And many years later, I also understood why I love to photograph. To communicate. A message, a concept, an emotion.