Bo Vloors

Kristīne Krauze-Slucka explores the materiality of industrially produced objects as a foundation for pseudo-social anthropological inquiries. Her creative approach mirrors that of a hunter-gatherer, navigating the world through observation, chance, and intuitive associations. She creates objects, installations, and works with photography not merely as a visual medium but as a tactile, sensory experience, emphasizing the material and physical processes involved in image-making. Krauze-Slucka holds a Master’s degree in Fine Arts from the Visual Communication Department of the Latvian Academy of Arts. She was awarded the Grand Prix of the Nordic and Baltic Young Artist Award in 2020 and has been twice nominated for the prestigious Purvītis Prize.

He approached photography as a self-taught artist after earning a diploma in Graphic Design and Art Direction from NABA Milan in 2014. In 2015, after spending one year in Tbilisi (Georgia) working on a documentary about Abkhazian refugees, he returned to Italy and joined the photography collective CESURA, where he remained for two years. During this time, he worked as an assistant to photographer Gabriele Micalizzi and collaborated with Alex Majoli (MAGNUM) on the production of several major exhibitions. While at CESURA, he shifted away from a photojournalistic approach, developing a long-term, research-driven photographic practice with a strong focus on photobooks. After leaving the collective in 2017, he began working as a freelance photographer. His journey took him first to Siberia, where he worked on the project I Don’t Try to Feel Awake Anymore. In 2019, in Oklahoma, where a chance encounter with Kristal and her son Skyler led to Love Mom, an ongoing project that explores the sometimes toxic relationship between a mother and her son while also reflecting on emptiness and the profound solitude embedded in the vastness of the American suburbs. In 2020, driven by the need to find a place to call home, he moved from Milan to a small village of 50 inhabitants in the Val di Noto. There, he began working on All These Goodbyes, a body of work that serves as both self-reflection and the story of an escape. In the spring of 2021, he spent three months in Denmark collaborating with photographer Jacob Aue Sobol (MAGNUM) on the production of his book James House (2022). In 2022, he was selected as one of the 25 winners of Italian Panorama, an open call organized by Vogue Italia and PhotoVogue. In January 2023, the Penumbra Foundation (New York, USA) awarded him a full scholarship for its Long-Term Photobook Program.

Jaka Teršek (b. 1997, Slovenia) is a photographer and visual artist whose work explores themes of national identity, mythology, and the interplay between geography and human culture. He frequently combines photography with text, creating narratives that blur the boundaries between fact and ction. He holds a BA in Photography from the Academy of Fine Arts and Design at the University of Ljubljana and an MFA from the Royal Academy of Fine Arts Antwerp, where he is currently engaged as an artistic researcher. His series OWL, FOX, HEDGEHOG, DEER was analist in the Blurring the Lines competition organized by Paris College of Art in 2022 and was shortlisted for the PhMuseum Photography Grant in 2023. Jaka has exhibited in numerous group and solo exhibitions, including at FOMU Antwerp, Gallery Artget Belgrade, Plečnik House Gallery, Gallery DobraVaga Ljubljana, and UGM Maribor. He is also a founding member of the collectives Fotosfera and Študio.

Toma Hurduc is a documentary photographer, currently working in Bucharest. His attention was first focused on representing local underground communities and movements, which he strongly feels related to. Nowadays, his narratives are often built on top of the personal experience and relationship with the subject matter, therefore the factual truth is often mixed with the meta, imaginative truth, aiming to question the human perception of reality, dread, anxiety, ephemerality and the construction of memory. Having an academic background in Cinematography, Toma is highly interested in the way light forms images, choosing to work regularly on 35mm black and white film, as a way to render the surreal he sees in ordinary life. Toma’s work has been exhibited both collectively and solo in Romania and abroad and he has been part of multiple mentorship programs, most recent being with Annie Leibovitz and IKEA.

Constantin Schlachter’s research takes place through an exploration of interior and exterior landscapes. Nature, the invisible and matter are dominant entities in his work. His experimental approach to the techniques he employs aims to put a less anthropocentric world into perspective, and to re-enchant nature. This mysterious entity that takes hold of each viewer in its own way, because it’s eloquent for everyone, but never entirely translatable. Through different media linked to photography, he questions matter and its synesthetic power. By inverting the scales, colours and textures of the elements presented, he induces a confusion of senses in the viewer, revealing deeper ones. His images invite us to let go, to enter a contemplative state in which we can project our emotions. His cosmic and telluric images, in which matter plays a predominant role, merge the microcosm and the macrocosm. In the course of his work, the artist increasingly seeks to erase his own presence to highlight that of his subject. Constantin Schlachter was born in Altkirch in 1992 and graduated from Les Gobelins in 2014. He lives and works in Paris.

Visvaldas (b. 1990) is a Lithuanian artist s a Lithuanian artist working in the expanded field of the image, who explores photography and its boundaries through personal experiences and reflections on society. His work navigates themes of identity, technology, and power, blending minimalism with layered narratives to examine modern life’s emotional and psychological dimensions At this moment, he is pursuing his MA diploma in Photography at EACL, Switzerland (2025).

Sarah Stone (U.K., 1994) is a photographer and artist based in Antwerp, Belgium. She received her master’s degree in photography at the Royal Academy of Fine Arts in Antwerp in 2022, winning the Photography Department prize. Her photographs have been published in .Tiff Magazine, Der Greif and Subbacultcha/Different Class and self-published books such as: 'La Vie De Camille' (2023), ‘ANNA’ (2022) and ‘The End of The Pipeline’ (2021). Her project '76 collages' was published by SO-RI in 2021 and a following series ‘98 collages’ is set to be published in 2025. In 2023 her image 'Whistle' from the project 'ANNA' was selected for ONBOARDSBiennale, an exhibition of art displayed on billboards throughout Antwerp. Her collage 'West Virginia Interior' was published in Karoo magazine in 2024. In 2024 Stone exhibited her work as part of the outside art trail "Out ofOffice" with BREEDBEELD in Gooik, Belgium and in 2023 with the FOMU(Photography Museum Antwerp) as part of .Tiff. Her collages were exhibited withStieglitz19 Gallery in the group show ‘Collage! Collage! Collage!’ with Vincent Delbrouck and Miriam Tolke (2021) as well as a pop-up in (2020). In 2025 she began her own TOT ZINES project, publishing local artists in the zine format. Stone’s work is created around a strong signature of aesthetic, poetic and colourful images, conveying a powerful message. This is substantiated by her usage of analog photography, creating imagery that presents an open and honest reflection of her surroundings, details, friends or objects that she is drawn to. Shot on 35mm film, they reveal her inner life at a certain time, almost like a distant diary. Stone's series are often founded on human traces, whether that be in personal relationships, or relationships to objects and materiality. Each with its own angle of approach, but based on the beauty of life and it's details. Her photographs illustrate and inspire people to embrace colour, texture, shape, and to see the world as a theatrical stage, full of props and characters. To capture the atmospheric variety of photographs, Stone uses various analogue cameras and experiments with making collages, using paint in her collages and works on paper.

Claude Bühler is a swiss artist, who works mainly with photography and sound. Her work examines notions of collectivity and intimacy by creating soft spaces and provoking performative moments, that allow small acts of liberation.

Independent Ukrainian documentary photographer currently residing and working in Kyiv, Ukraine. Master degree in International Economics of the Institute of International Relations of Kyiv National University. He has pursued photography since 2008. Since 2012 member of the Ukrainian Photographic Alternative (UPHA) and since 2014 of the Ukrainian Association of Professional Photographers (UAPF). In 2014 - 2019, he was the official photographer of the President of Ukraine. Founder of “Untitled” online magazine and co-founder of Ukrainian Street Photography group. Member of PEN Ukraine since 2022. Author of the photo book “Anamnesis” (2020) and art-book “Maidan Faces” (2020). Since the beginning of full-scale Russian invasion of Ukraine concentrated mostly on documenting war crimes and impact of war on civilians.‍