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The

Artist

Angeniet Berkers

Nominated in
2025
By
FOTODOK
Lives and Works in
Rotterdam
Angeniet Berkers (1985) is a socially engaged photographer based in Rotterdam. She depicts sensitive subjects in an honest way, looking for depth and nuance. Her images are often sensitive and melancholic, while also warm and intimate. Her background in mental health care is reflected in the choice of subject and working method. She often chooses subjects that are not or hardly discussed. Her projects combine different visual 'languages' to translate a complex story into an understandable and empathetic whole. Through her work she tries to get a grip on the extremities of today's society. Her projects play with the viewer's frame of reference and make them think about their (sometimes biased) ideas.

Her dummy ECHO was shortlisted for the Book Dummy Award of Photo London & La Fabrica, Luma Rencontres D'Arles and the Cortona on the move Photobook prize. In 2019 she received the Mondriaan Fund Emerging Talent and FOTODOK stipend. In 2021 she was supported by the Mondriaan Fund and the Anna Cornelis Fund. Her book Lebensborn was shortlisted for the Aperture Paris Photo First Book Award and the Historical Book Award at Luma Rencontres d'Arles and won the Emergentes Portfolio Reviews in Braga in 2024.
Projects
2024

Lebensborn

On December 12, 1935, a program was started in Germany to provide the Third Reich with the new generation of leaders and SS officers; Lebensborn (“Source of Life”). The birth rates had dropped dramatically and something had to be done to prevent abortion. In several clinics spread over Germany, Norway, Belgium, France and Poland, (married and unmarried) women, if they met the requirements of the Aryan race, could give birth to their children. Outside of Germany it was mainly the case that German soldiers had relationships with local women. SS-officers were encouraged to reproduce as much as possible, including out of wedlock. The architect behind this plan, Heinrich Himmler, aimed to improve the ‘racial quality’ in the new empire to be built on a National Socialist basis with these blue-eyed, blond-haired and light-skinned children. When it turned out that this program did not bring enough new Aryan souls, children with blonde hair and blue eyes were kidnapped from Eastern Europe and taken to German homes to ‘Germanise’.

After the war, the children from these homes and families were often stigmatised and sometimes even mistreated or sexually abused. Many grew up with secrets, the past should not be talked about. The Lebensborn homes were thought to be brothels or ‘stud farms’ for SS men, as quite some (B)movies implied. None of these stories were true. The purpose of Lebensborn is so unreal and horrific that it should never be forgotten. In view of our society that increasingly flirts with nationalism, it is important to document and tell these stories from the past. It is the ultimate example of a skewed sense of superiority.

For the project Angeniet Berkers tracked down these 'children' who are now in their 70s and 80s to interview and portray them. She did archival research and photographed relevant objects and documents such as birth certificates, to visualise the system that was behind the program. In addition, she visited several homes (where women could give birth to their Aryan children) in Germany, Norway and Austria. 'Guilty' landscapes, taken in the surroundings of the homes, are another part of the project. The old trees and surroundings were the silent witnesses of the program.

The project resulted in a photobook that was published in April 2024 by The Eriskay Connection and designed by Rob van Hoesel. Lebensborn will be exhibited in Kunsthal Rotterdam in spring 2025 and at Encontros da Imagem in fall 2025.
Angeniet Berkers
was nominated by
FOTODOK
in
2025
Show all projects
Each year every member of the FUTURES European Photography Platform nominates a set of artists and projects to become part of the FUTURES network.