Alessio Pellicoro

Adi Tudose (b. 1987, Bucharest) is an artist-photographer based in Budapest. After completing his studies at The National University of Theatre and Film, he further expanded his artistic vision through experiences in Milano. He is pursuing an MA in Photography at Moholy-Nagy University of Art and Design, where his practice continues evolving. For him, the camera is far more than a tool—it is a medium through which he connects with the world around him. The streets become dynamic, ever-changing spaces where unpredictable encounters unfold. Immersing himself fully in these environments, Tudose approaches his subjects with empathy and sensitivity, capturing their lives with care and revealing emotional depth and vulnerability. Tudose can transform fleeting, transient moments into cohesive compositions, bringing order and harmony to the everyday. Through this process, he taps into the subconscious, offering viewers a sense of unity within the chaos. His seamless blending of form and content sets him apart, creating simple yet mysterious representations. His work is characterized by cohesive framing, a rich interplay of diverse elements, and tuned figure-to-ground relationships. Tudose’s work offers an invitation to reflect on what photography can reveal about the human condition. Each frame carries layers of emotional and sociological insight, capturing the essence of his subjects while creating space for the viewer to connect with them on a personal level. Each photograph becomes more than a visual representation; it transforms into a deeply felt emotional experience. Empathy and vulnerability lie at the core of Tudose’s creative process, enabling him to form deeper connections with his subjects and uncover meaningful relationships that might otherwise remain hidden. His work seeks to evoke genuine emotions, delving into themes of social and gender representation while fostering a sense of belonging. In doing so, he transforms emotional disconnection into moments of peace and truth. As an artist, Tudose is committed to long-term projects that tell meaningful stories, ones that challenge him to confront fear, embrace vulnerability, and transform his personal experiences into shared human truths. His photography doesn’t just document—it transcends, offering symbols of connection and hope in a chaotic world.

Adi Tudose (b. 1987, Bucharest) is an artist-photographer based in Budapest. After completing his studies at The National University of Theatre and Film, he further expanded his artistic vision through experiences in Milano. He is pursuing an MA in Photography at Moholy-Nagy University of Art and Design, where his practice continues evolving. For him, the camera is far more than a tool—it is a medium through which he connects with the world around him. The streets become dynamic, ever-changing spaces where unpredictable encounters unfold. Immersing himself fully in these environments, Tudose approaches his subjects with empathy and sensitivity, capturing their lives with care and revealing emotional depth and vulnerability. Tudose can transform fleeting, transient moments into cohesive compositions, bringing order and harmony to the everyday. Through this process, he taps into the subconscious, offering viewers a sense of unity within the chaos. His seamless blending of form and content sets him apart, creating simple yet mysterious representations. His work is characterized by cohesive framing, a rich interplay of diverse elements, and tuned figure-to-ground relationships. Tudose’s work offers an invitation to reflect on what photography can reveal about the human condition. Each frame carries layers of emotional and sociological insight, capturing the essence of his subjects while creating space for the viewer to connect with them on a personal level. Each photograph becomes more than a visual representation; it transforms into a deeply felt emotional experience. Empathy and vulnerability lie at the core of Tudose’s creative process, enabling him to form deeper connections with his subjects and uncover meaningful relationships that might otherwise remain hidden. His work seeks to evoke genuine emotions, delving into themes of social and gender representation while fostering a sense of belonging. In doing so, he transforms emotional disconnection into moments of peace and truth. As an artist, Tudose is committed to long-term projects that tell meaningful stories, ones that challenge him to confront fear, embrace vulnerability, and transform his personal experiences into shared human truths. His photography doesn’t just document—it transcends, offering symbols of connection and hope in a chaotic world.

Constantin Schlachter’s research takes place through an exploration of interior and exterior landscapes. Nature, the invisible and matter are dominant entities in his work. His experimental approach to the techniques he employs aims to put a less anthropocentric world into perspective, and to re-enchant nature. This mysterious entity that takes hold of each viewer in its own way, because it’s eloquent for everyone, but never entirely translatable. Through different media linked to photography, he questions matter and its synesthetic power. By inverting the scales, colours and textures of the elements presented, he induces a confusion of senses in the viewer, revealing deeper ones. His images invite us to let go, to enter a contemplative state in which we can project our emotions. His cosmic and telluric images, in which matter plays a predominant role, merge the microcosm and the macrocosm. In the course of his work, the artist increasingly seeks to erase his own presence to highlight that of his subject. Constantin Schlachter was born in Altkirch in 1992 and graduated from Les Gobelins in 2014. He lives and works in Paris.

Romane Iskaria is a French photographer and artist working in Brussels, Belgium (1997). She graduated with a Master's degree in photography from ENSAV La Cambre in 2022 and a DNA (National Diploma in Plastic Arts) from INSEAAM Beaux Arts in Marseille in 2018. She also completed an exchange at the U-LAVAL Visual Arts school in Quebec, Canada. The photographer highlights the injustices and inequalities of invisible communities with a documentary and fictional approach. Her images, specific to “Care”, tell a story and allow her subjects to become aware of their painful stories. The artist uses photography and the field of video, but also textiles, sound, and sculpture to create immersive installations. She tells stories that take the form of a long-term investigation across several territories. Romane replays specific rituals and stories that also transcend borders, addressing questions around migration and exile. The photographer creates plastic forms allowing her to subvert the codes of documentary.

Marcus Gustafsson (b. 1990) is a Stockholm-based photographer and artist whose practice is autobiographical, exploring memory and its various realities. In 2013, Marcus obtained a bachelor's degree in photojournalism from Mid Sweden University. The recurring theme in Marcus's work is his autobiographical style, with human relationships serving as the common denominator. Marcus works primarily with analog techniques, occasionally manipulating photographs or complementing them with other applications such as drawing and writing. With exhibitions in Stockholm, Helsinki, Athens, and Pelt, Belgium, Marcus released his first zine, Down Here Together, with Fail Books in 2021. In the fall of 2023, Marcus completed a one-year workshop at Atelier Smedsby with photographers JH Engström and Margot Wallard in Paris, where the project Filling in the Gaps was conceived.

Angeniet Berkers (1985) is a socially engaged photographer based in Rotterdam. She depicts sensitive subjects in an honest way, looking for depth and nuance. Her images are often sensitive and melancholic, while also warm and intimate. Her background in mental health care is reflected in the choice of subject and working method. She often chooses subjects that are not or hardly discussed. Her projects combine different visual 'languages' to translate a complex story into an understandable and empathetic whole. Through her work she tries to get a grip on the extremities of today's society. Her projects play with the viewer's frame of reference and make them think about their (sometimes biased) ideas.

Her dummy ECHO was shortlisted for the Book Dummy Award of Photo London & La Fabrica, Luma Rencontres D'Arles and the Cortona on the move Photobook prize. In 2019 she received the Mondriaan Fund Emerging Talent and FOTODOK stipend. In 2021 she was supported by the Mondriaan Fund and the Anna Cornelis Fund. Her book Lebensborn was shortlisted for the Aperture Paris Photo First Book Award and the Historical Book Award at Luma Rencontres d'Arles and won the Emergentes Portfolio Reviews in Braga in 2024.

Emilia Martin is a Polish artist and photographer based in The Hague, Netherlands, where in 2022 she graduated from Photography & Society Masters at the Royal Academy of the Art. Working with photography, writing, and sound, she explores how the stories we tell shape the realities we inhabit. She investigates mythologies and tales, and how they fluctuate and shift throughout histories. Through her work, she aims to complicate the binary understandings of fiction and truth and their established aesthetics. Her process is based on careful research and personal, often playful approaches, through which she questions dominant narratives. The belief in storytelling is rooted in her upbringing, where she engaged with both rural mythologies and urban narratives. She grew up between two different realities: a remote farm belonging to her grandmother in rural Eastern Poland and a heavy industry coal mining urban region in the West of the country. The clash between these two realities, the narrative of extractivism against rural mythologies and the proximity of nature, formed a place that continues to ground her artistic practice. Her work is inspired and informed by her rural Polish ancestry and intersectional feminist approaches.

Camille Poitevin (b. Montreal, Canada, 1996) is a multidisciplinary artist based in Brussels. She earned a BA in applied arts from Concordia University in Montreal (2018) and an MA in photography from ENSAV La Cambre in Brussels (2022), where she was awarded a creation grant by the King Baudouin Foundation and the Servix Prize. Her work has since been exhibited in Belgium (Beursschouwburg, BPS22, Hangar Art Center, Ateliers Mommen, HISK Gosset Site, CAL Charleroi), the Netherlands (as part of Currents#10 program at Marres Huis voor Hedendaagse Cultuur), France (FRAC Franche-Comté), and Spain (InCadaqués OFF). In 2025, she will participate in the collective exhibition Art au Centre in public space in Liège. Poitevin currently works in a collective studio as part of the Young European Artists' program in Brussels.

Jaka Teršek (b. 1997, Slovenia) is a photographer and visual artist whose work explores themes of national identity, mythology, and the interplay between geography and human culture. He frequently combines photography with text, creating narratives that blur the boundaries between fact and ction. He holds a BA in Photography from the Academy of Fine Arts and Design at the University of Ljubljana and an MFA from the Royal Academy of Fine Arts Antwerp, where he is currently engaged as an artistic researcher. His series OWL, FOX, HEDGEHOG, DEER was analist in the Blurring the Lines competition organized by Paris College of Art in 2022 and was shortlisted for the PhMuseum Photography Grant in 2023. Jaka has exhibited in numerous group and solo exhibitions, including at FOMU Antwerp, Gallery Artget Belgrade, Plečnik House Gallery, Gallery DobraVaga Ljubljana, and UGM Maribor. He is also a founding member of the collectives Fotosfera and Študio.