Constantin Schlachter

Aline Bovard Rudaz is a Swiss photographer based in Geneva. She studied photography at the CEPV (Centre d’enseignement professionnel de Vevey). Through her artistic practice, she sees images as witnesses capable of conveying the concerns of her generation. For her, photography is a sensitive means of tackling the social, intimate and taboo issues of our society. She is particularly interested in forgotten histories, especially those relating to women's lives.

Anna Safiatou Touré (Bamako, Mali, born in 1996) is a Franco-Malian multidisciplinary artist based in Brussels. She graduated from the Nantes Saint-Nazaire School of Fine Arts and the ENSAV La Cambre in photography. Anna Safiatou was awarded the Médiatine Prize in 2022 and the Roger De Conynck Fund in 2023-24. Her work explores the space that unites or separates the two sides of every migratory narrative. The journey through this personal, historical, and cultural blending fills for her empty or unanswered spaces. On her own scale, she wishes to materialize this absence by creating her own evidence to make history heard—rendering the absence visible to tell stories from these new bodies. Like a certain poetry of emptiness, couldn’t the world be told in reverse, like a stencil, from the edge?

Bo Vloors (she/her) is a visual artist, writer, photographer and filmmaker based in Brussels. Using image and text, her work revolves around human relations, within and with their surroundings, and the influential power of images. The Image stands central in her practice. Inspired by natural cycles and symbiotic arrangements, her work finds its origins in the repeated consultation of an ever-expanding archive built up over the past decade. Exploring her role as an image-maker (both in images and words), she defines her writings as The Missing Image, serving a complementary, affirmative or rhetorical purpose in relation to the actual image. Striving to balance aesthetics and content, the formats she uses may vary from publications, spatial installations, audio-visual to audio-performative. Still, The Image remains rooted in the core of her artistic practice, both as subject and material. Her work has been exhibited at Beursschouwburg (BE), Z33 (BE), Argos (BE), Art au Centre (BE), Decoratelier (BE), SB34 (BE), De Studio (BE), Het Bos (BE), OFFoff cinema (BE), CinemaTEK (BE), Bizet Bizar (BE), Radio Panik (BE), RAVI (BE), Folle Béton film festival (FR), Lateral film Festival (IT), San Sebastian film Festival (ES), Cashmere Radio (DE) and Dublin Digital Radio (IE).

Jaka Teršek (b. 1997, Slovenia) is a photographer and visual artist whose work explores themes of national identity, mythology, and the interplay between geography and human culture. He frequently combines photography with text, creating narratives that blur the boundaries between fact and ction. He holds a BA in Photography from the Academy of Fine Arts and Design at the University of Ljubljana and an MFA from the Royal Academy of Fine Arts Antwerp, where he is currently engaged as an artistic researcher. His series OWL, FOX, HEDGEHOG, DEER was analist in the Blurring the Lines competition organized by Paris College of Art in 2022 and was shortlisted for the PhMuseum Photography Grant in 2023. Jaka has exhibited in numerous group and solo exhibitions, including at FOMU Antwerp, Gallery Artget Belgrade, Plečnik House Gallery, Gallery DobraVaga Ljubljana, and UGM Maribor. He is also a founding member of the collectives Fotosfera and Študio.

Frida Lisa Carstensen Jersø (b. 1997) holds a BFA in Photography from HDK-Valand Academy of Art and Design in Gothenburg, Sweden, and previously studied at Copenhagen Film and Photography School. Her photographic practice encompasses both classical photography, including analog and digital techniques, as well as medical imaging. She incorporates radiological scans of her body, creating two- and three-dimensional works that bridge medical processes and personal narrative. Jersø's artistic focus lies within the realms of Sick Photography and Therapeutic Photography. Her work explores the physical and emotional dimensions of the disabled and chronically ill body, challenging societal perceptions and ableist norms. She has exhibited at venues such as Röda Sten Konsthall in Gothenburg, participated in the Artist’s Autumn Exhibition, and contributed to group exhibitions across Scandinavia. Currently, she is preparing a solo exhibition at the Finnish Museum of Photography. In 2023, she received an award in the Portræt NU! competition. Her work has been featured in Danish media outlets such as DR.DK and Politiken. Jersø is also collaborating with Disko Bay Books on a photobook publication, further cementing her role as an upcoming voice in contemporary photography.

Independent Ukrainian documentary photographer currently residing and working in Kyiv, Ukraine. Master degree in International Economics of the Institute of International Relations of Kyiv National University. He has pursued photography since 2008. Since 2012 member of the Ukrainian Photographic Alternative (UPHA) and since 2014 of the Ukrainian Association of Professional Photographers (UAPF). In 2014 - 2019, he was the official photographer of the President of Ukraine. Founder of “Untitled” online magazine and co-founder of Ukrainian Street Photography group. Member of PEN Ukraine since 2022. Author of the photo book “Anamnesis” (2020) and art-book “Maidan Faces” (2020). Since the beginning of full-scale Russian invasion of Ukraine concentrated mostly on documenting war crimes and impact of war on civilians.‍

Jaka Teršek (b. 1997, Slovenia) is a photographer and visual artist whose work explores themes of national identity, mythology, and the interplay between geography and human culture. He frequently combines photography with text, creating narratives that blur the boundaries between fact and fiction. He holds a BA in Photography from the Academy of Fine Arts and Design at the University of Ljubljana and an MFA from the Royal Academy of Fine Arts Antwerp, where he is currently engaged as an artistic researcher. His series OWL, FOX, HEDGEHOG, DEER was a finalist in the Blurring the Lines competition organized by Paris College of Art in 2022 and was shortlisted for the PhMuseum Photography Grant in 2023. Jaka has exhibited in numerous group and solo exhibitions, including at FOMU Antwerp, Gallery Artget Belgrade, Plečnik House Gallery, Gallery DobraVaga Ljubljana, and UGM Maribor. He is also a founding member of the collectives Fotosfera and Študio.

Anna Adamo land on this planet on September ’91, born and raised in the suburbs of Milano, north of Italy, investigate intimate, detailed portraits of her mother and her daily life since she was a teenager. She approached to photography in her childhood with her brother's camera. After the artistic studies she took part on the first national competition established by Leica, with the project ''This is our youth'' and won along with 5 others. Here she got scouted by a member of the jury, Magnum’s member Alex Majoli, whom later proposed her a work experience with the collective of photographers and photojournalist, Cesura, which he founded in 2008. After having worked there as an intern for three months, she’s since been working there as a collaborator for five years. She has documented various underground scenarios such as Gabbers, Punks. All of this drives me in search of stories surrounded by human presence, emotions and families. From 2018 she works as a photographer freelance developing long-term personal projects, but also began to take her first steps in the fashion and editorial’s world.

Ieva Maslinskaitė (Vilnius, LT, 1999) is an interdisciplinary artist working with photography based in Amsterdam, NL. Her research interest lies in destabilising binary thinking towards the environment through co-creating with other species, as well as organic and artificial processes, resulting in temporary and mutating image-based works, objects, sculptures or installations. Coming from a photography background, her practice is centred around dismantling the medium from an anthropocentric perspective and putting it back together through an ecocentric one, counteracting contemporary image culture’s aims of being fixed, reproducible, and permanent. She has participated in a number of international group shows including the Riga Photography Biennial NEXT – 2023. Maslinskaitė holds a Bachelor of Photography from the Royal Academy of Art, The Hague.

Andreas Hopfgarten (b. 1987) is a German visual artist and photographer based in Reykjavik, Iceland. His research-based practice explores the intersection of personal and collective histories. Through intuitive storytelling, his work incorporates film, sculpture, and installation techniques, creating multi-layered narratives. Hopfgarten’s projects often reflect on memory, identity, and the cultural forces that shape them. He earned a Master of Fine Arts from the University of Fine Arts Hamburg (HFBK Hamburg; Prof. Simon Denny) in 2023 and a Bachelor of Fine Arts from the same institution in 2020 (Prof. Simon Denny). His academic background also includes a Bachelor of Arts in Communication Design from the Hamburg University of Applied Sciences (HAW Hamburg) and a diploma in photography from the Photo+Media Forum Kiel. His work has been exhibited internationally in notable venues and festivals, including the Haus der Photographie, Deichtorhallen in Hamburg, NRW Forum in Düsseldorf, Goethe-Institut Nicosia in Cyprus, the Voies OFF Festival in Arles, and the Einar Jónsson Museum in Reykjavik, Iceland. Hopfgarten has been recognized with several awards, such as the Claussen-Simon Foundation Fellowship (2019/2020) and the gute aussichten – junge deutsche fotografie (2016/2017).