The artists nominated by

ISSP
in
2025

ISSP is an educational and exhibition platform for contemporary photography, based in Latvia and engaging internationally. As a member of the Futures platform, we champion emerging voices, particularly those from the Baltic region. This year’s selection was based on an open call disseminated through ISSP’s network of partner organizations.

The selection of the Talents 2025 was done by an international jury: the Artistic Director of Tallinn Photomonth Kulla Laas (EE), curator Ieva Meilute-Svinkūniene (LT), artist and curator of the ISSP Gallery Iveta Gabaliņa (LV) and ISSP director Jūlija Berkoviča. The resulting cohort of artists exemplifies a shared conceptual depth and a willingness to experiment. Across selected projects, the artists push beyond the static image to explore photography’s power as an evolving space—one that embraces ecological processes, mythic heritage, and the complexities of memory.

In her project Pupa, Ieva Maslinskaite explores photography as a medium in flux, mirroring the transformative state an insect undergoes in its pupal stage. By allowing bacteria and fungi to colonize large-format film negatives depicting highly controlled Dutch landscapes, Maslinskaite challenges conventional, anthropocentric hierarchies of image-making. In doing so, she shifts photography’s purpose from a fixed representation to a site of ecological habitation and ongoing metamorphosis.

Rūta Kalmuka’s Dzen revives an ancient Latvian spring solstice ritual, once practiced by the Livs, involving the symbolic banishment of evil spirits and the calling of light. Her method—using a large-format camera and direct positive prints on photo paper and fabric—constitutes a contemporary ritual of its own. By integrating ancestral folklore with a reflective creative process, Kalmuka underscores ritual’s capacity to heal and renew both cultural identity and personal well-being.

In Visvaldas Morkevicius’s I Want to Tell You Something, grief is articulated as a non-linear, endlessly revisited terrain. Morkevicius integrates archival photographs, images of everyday objects, and repeated scanning and printing to construct a visual echo of loss. This approach emphasizes the fragility of memory while advancing toward acceptance, becoming, in essence, a farewell letter to a former self.

Across these three works, a unifying thread is the emphasis on transformation—both of the photographic medium and of personal or communal experience. Maslinskaite’s bacterial interventions on large-format negatives invite an ecological metamorphosis that challenges anthropocentric control; Kalmuka’s revival of an ancient ritual foregrounds the cyclical interplay of darkness and light as a means of cultural and personal renewal; and Morkevicius’s layered images of grief chart a non-linear passage toward acceptance and self-redefinition. While each artist addresses distinct subject matter—ranging from environmental processes to ancestral folklore and the fragile terrain of memory—they converge in using photography as a space of transition, reflection, and continuous becoming, revealing how images can evolve with the very conditions that shape them.

The selecting committee consists of:

Iveta Gabaliņa | ISSP Curator/Co – Founder

Julija Berkoviča | ISSP Director/Co – Founder

Kulla Laas | Director of Tallinn Photomonth 

Ieva Meilute-Svinkūniene | Curator

Projects nominations
Visvaldas
Visvaldas Morkevicius (b. 1990) is a Lithuanian artist s a Lithuanian artist working in the expanded field of the image, who explores photography and its boundaries through personal experiences and reflections on society. His work navigates themes of identity, technology, and power, blending minimalism with layered narratives to examine modern life’s emotional and psychological dimensions. At this moment, he is pursuing his MA diploma in Photography at EACL, Switzerland (2025). Visvaldas works reflect a deep engagement with contemporary life's emotional and psychological dimensions, examining how hyperconnectivity, media saturation, and systemic forces shape human perception, memory, and agency. The artist's approach is both critical and reflective. He uses photography and interdisciplinary media to explore themes of loss, disconnection, and resilience, juxtaposing personal experience with broader societal dynamics. His art often reveals the tension between intimacy and detachment, questioning how technology mediates relationships, reframes violence, and commodifies identity. Visvaldas draws from psychoanalysis and critical theory to investigate the cycles of desire, control, and addiction embedded in modern systems. He is particularly interested in how these systems exploit human vulnerability, trapping individuals in loops of consumption and obedience. Through his practice, he challenges viewers to confront the fragile balance between autonomy and control, reality and hyperreality.His work combines stark minimalism with layered narratives, creating immersive experiences that invite reflection on contemporary life's emotional and ethical implications. Visvaldas seeks to uncover hidden connections, offering a lens through which to question the forces that shape our lives while exploring the human desire for meaning, connection, and self-expression. Represented by Galerie Elisabeth & Reinhard Hauff
Rūta Kalmuka
Rūta Kalmuka is a Latvian photographer whose passion for analogue photography took root during her secondary school years under the mentorship of Andrejs Grants. For roughly seven years, she immersed herself in the art of film developing, darkroom printing, and the finer details of traditional photography. This hands-on experience laid the foundation for her enduring commitment to analogue processes. Despite the demands of a busy editorial career, Kalmuka consistently nurtured her personal art practice. She created bodies of work focused on her immediate family, capturing intimate narratives through the tactile, deliberate medium of film. Over the years, she participated in numerous group exhibitions, both in Latvia and abroad, showcasing her evolving perspective on family life and everyday rituals. In 2022, she transitioned from the news agency to a new role as a photographer in a museum setting, affording her more time and creative freedom to develop her ideas. This shift allowed Kalmuka to delve deeper into the conceptual aspects of her projects, further refining her analogue techniques. Two years later, in 2024, she exhibited a long-term family-centered project at the ISSP Gallery—an exhibition that encapsulated her ongoing exploration of memory, identity, and personal history. Through her distinct blend of traditional processes and reflective storytelling, Kalmuka continues to expand the expressive potential of analogue photography.
Ieva Maslinskaite
Ieva Maslinskaitė (Vilnius, LT, 1999) is an interdisciplinary artist working with photography based in Amsterdam, NL. Her research interest lies in destabilising binary thinking towards the environment through co-creating with other species, as well as organic and artificial processes, resulting in temporary and mutating image-based works, objects, sculptures or installations. Coming from a photography background, her practice is centred around dismantling the medium from an anthropocentric perspective and putting it back together through an ecocentric one, counteracting contemporary image culture’s aims of being fixed, reproducible, and permanent. She has participated in a number of international group shows including the Riga Photography Biennial NEXT – 2023. Maslinskaitė holds a Bachelor of Photography from the Royal Academy of Art, The Hague.