Artist
Nadia Markiewicz
Visual artist, performer, author of installations and video art. PhD fellow at the Jan Matejko Academy of Fine Arts in Cracow. Resident at the International Studio and Curatorial Program in New York City in 2023. MFA graduate of the Studio of Spatial Activities of prof. Mirosław Bałka at the Academy of Fine Arts in Warsaw (2020). Also studied at the Gerrit Rietveld Academie (2010-11) in Amsterdam and during an internship at the Studio of Performance at FaVU VUT in Brno led by Julie Béna and Jakub Jansa (2021). Received the Europe Beyond Access award granted by Zachęta National Gallery of Art in Warsaw and British Council in 2021 and the Grand Prix at the 10th Biennale of Young Art Rybie Oko (Baltic Gallery of Contemporary Art in Słupsk, 2022). Presented her works and performances at, among others, Museum of Modern Art in Warsaw (2023), Kunsthalle Bratislava (2022), Galeria Miejska Arsenał in Poznań (2022), Zachęta National Gallery of Art in Warsaw (2021), Sto Lat Gallery in New York (2021).
Carolyn
As I told you, I urgently had to travel. I visited my first best friend Carolyn, who lived in Florida. She gathered a collection of items connected to the topic of death that I wanted to photograph. The archive is not only important because of our relationship, but also because it is a product of disability culture.
Carolyn studied at the Fashion Institute of Technology in New York City and worked in fashion show production. She was part of what could be considered Goth subculture. She was diagnosed with Juvenile Onset Huntington's Disease and knew she had few years to live and that her body would become less and less able. Last week I got a phone call that it was a matter of days until she passed and got on a plane to visit her in hospice. But also, to document the objects she curated on her way.
I am sending a work-in-progress selection of five images from a much larger pool. It is a collaborative project between me and Carolynn Josephine Goracy – Fashion curator. Bone collector.
Best wishes,
Nadia
DRIVE-THRU
In the installation entitled DRIVE-THRU, Nadia Markiewicz focuses on the potential inherent in non-normative bodies, as well as their emancipatory and transformative capabilities. The main theme of the show is the real-life story of a couple with disabilities who decided to get married in the Little White Chapel in Las Vegas. They experienced considerable difficulties while getting out of their car before the ceremony. The owner of the chapel noticed this and was inspired to create a chapel where people could get married without stepping out of the car. This brief, ordinary event links the themes that interest Markiewicz: the changes occurring in the world, the emergence of pop-cultural spaces, an autobiographical element – the wedding of her own parents, the spirit of being on the road, the theme of celebrity. Markiewicz builds upon the concept of the misfit used by Rosemarie Garland-Thomson and introduces the figure of a rebel to her narrative. “Not fitting in” turns into a force triggering transformation, but also alludes to a failed romantic relationship of a disabled body and its material surrounding world.
The exhibition flips the current discourse on disability upside down. Markiewicz shines a light on a situation in which the majority of society benefits from a solution created for people with disabilities, emphasizing the liberating power coming from rejecting normative solutions. It thus celebrates the hidden potentials of disability.
text by: Ewelina Muraszkiewicz, translation: Joanna Figiel
In Oskar Helcel's Under Construction, the artist works to investigate a complex of commercial and office buildings in the centre of Prague designed by Zara Hadid. The complex is surrounded by a number of controversies concerning the investor's link to corruption, so Helce summons the figure of Hadid as a mysterious guide from the world of the dead, who, through a kind of biblical commentary, posits disturbing questions about power.
Space, time and the banality of everyday life are pervading motifs in Ines Karčáková's work. In Dancing Makes You As Happy As a 2073.35 Euro Pay Rise, the artist seeks to uncover the motivations associated with the previously idealistic vision of conquering the moon, which are now having a very concrete impact on consumer life on Earth, from scratch-resistant glass to GPS.
Karina Golisová provides insight into the structures of everyday life and relationships. Her project, Like everyone else, I have to be somewhere too, delves into the concept of anchoring oneself within the intricate fabric of community life. It explores the affirmation of existence and identity within the complex interplay of shared experiences.
Barbora Bačová gives a glimpse into her intimate life through her project I am gonna live my life, and conceives working with photography much more as a process than focusing on a specific or ‘successful’ result. Many of the images could conventionally be considered unsuccessful, which appeals to the artist, and she finds her signature in this approach.
The exploration of the culture surrounding the body and its definition of the ideal form is a central theme in Nadia Markiewicz's work. In her installation DRIVE-THRU, she combines objects, photography and video to address the fundamental question of what it means to fit or not fit in with the normative formula given by society.