Artist
Ligia Popławska
Ligia Popławska (b. 1994, Poland) is a visual artist currently based in Antwerp, Belgium. Her work explores themes of senses, emotional states and human impact on environment. With a deep interest in natural phenomena, art history and sciences, her researchbased, speculative work focuses of human and morethan- human in the changing conditions of the (Post) Anthropocene. She graduated with honours from the Photography department at the Royal Academy of Fine Arts Antwerp (BA and MA), previously gaining a BA in Art History from the University of Gdańsk (2016). Her project ‘Fading Senses’ won Decade of Change Series Award (2022) by the British Journal of Photography, as well as a solo exhibition at PhMuseum Days International Photography Festival in Bologna, Italy (2021) and Photography Prize funded by the Royal Academy of Fine Arts Antwerp (2020). Ligia Popławska is a laureate of .tiff 2022 (FOMU Antwerp) and a recipient of a scholarship for Emerging Talents from the Flemish Government. She exhibited at Bienal’23 Fotografia do Porto, FOMU Antwerp, De Brakke Grond, Helsinki Photo Festival, among others. Ligia Popławska works as a freelance photographer and editor.
Fading Senses
What happens if we lose our senses? In times of multispecies extinction and devastating effects caused by climate change, environmental anxiety is a rising problem affecting societies. Solastalgia, a relatively new name describing an emotional distress caused by the loss of ecosystems, is characterised by a perspective of a fading world, a lived experience of the loss of the present. Described as an earth-related state, it reflects the zeitgeist of our time. A perspective of a fading world and a state of fading-away is close to sensory deprivation. Absence of senses, one of the biggest human fears, can lead to intra-mental perception, echolocation and memory flashbacks. Fading Senses is a research project and a photographic essay where Ligia Popławska examines how Solastalgia affects our mental, emotional and physical health and research the implications of the absence of senses on brain mechanisms. Drawing on her own experience of temporarily losing one of her senses, she applies deprivation to her visual language. Turning her research into a speculative narration, she creates a mental image of an ungraspable sensation to underline human disconnection from the natural habitat.
Sensitive Territories
Portugal is one of the most vulnerable European countries to the effects of climate change, from extreme forest fire events to increasing numbers of endangered species. Two elements of matter, fire and water, are a recurring threat to Portugal’s precious ecosystems. These elements evoke ancient mythologies, symbolising duality of a destructive force and a new beginning. With ‘Sensitive Territories’ I aim to highlight the fragility of the non-human entities (trees, plants, rocks), that are cyclically threatened to vanish from the Portuguese landscape due to forest fires.
The 10th edition of .tiff reflects a diversity of voices, positions, and subject matter. It is a passionate group of artists and photographers, who each try to give personal answers to today’s questions. Gülsah Ayla Bayrak and Rami Hara take their personal histories of migration and stereotypes as a starting point to explore identification, mythification, and the idea of belonging. Lived experience also guides the work of Seppe Van Craywinkel and his celebration of freedom, friendship, and spontaneity. Where Arian Christiaens explores her family’s archive, searching for her own position as photographer, daughter, mother, lover, and woman, Lars Duchateau invites viewers to link possible narratives with cryptic large format photographs, each one inspired by newspaper articles.
Elsewhere, Barbara Debeuckelaere treads a thin line between fiction and reality, delving into the Romanian fanbase of the American television series Dallas; Ligia Poplawska considers emotions, solastalgia, and climate anxiety in a changing world; and Alice Pallot shines her light on the Lommel Sahara in Belgium, rendering it alien without any post-production.
These artists work across a variety of media, encompassing books, video and installations. Their stories are as diverse as their approach: documentary, analytical, poetic, conceptual, humorous, intimate and most of all fresh and thought-provoking.
Over the years, .tiff has succeeded in building a Belgian photography community that allows for an exchange of ideas and insights between artists, curators, critics, and researchers. The current selection shows that this community is ever growing - and that Belgian photography will continue to reinvent itself for many years to come.