Artist
Giulia Mangione
Giulia Mangione (b.1987) is an Oslo-based visual artist who works with photography, film and writing. She earned a first MA in Comparative Literary Studies from Goldsmiths University of London, and a second MFA in Fine Arts from the Art Academy in Bergen. She also studied Advanced Visual Storytelling at the Danish School of Media and Journalism in Denmark. Her first book Halfway Mountain, published by Journal in 2018, was selected for the Prix du Livre at Les Rencontres d'Arles and nominated for the MACK First Book Award. Mangione’s work has been exhibited at the International Center of Photography, New York; Musée de l’Élysée, Lausanne; Fotoforum, Bolzano; Fotogalleriet, Oslo; and Bergen Kunsthall, Bergen. She is currently part of the 6th round of the Norwegian Journal of Photography.
Instagram: @giulia_mangione
Website: www.giuliamangione.com
The Fall
The Fall is a work in progress in which I recover poor materials and found objects and store them in my studio and then photograph them in a black box with a net. Simulating the safety nets of the construction works that we find in the city and in which all types of debris and objects are stored. Alluding to the contemporary city, consumerism and the importance of the relationship we establish as individuals with these spaces. Formalizing the photographs in a format that is closest to the advertising images that we find in the supports of the urban space itself.
Barbara Marstrand (b. 1994) has been selected for her project Still Life of Teenagers which playfully portrays the lives of Danish youth. Approaching photography with a curiosity about different groups of people, Marstrand offers a unique insight into different life experiences, combining her artistic practice and keen eye with sociological methods.
Emma Sarpaniemi (b.1993), based in Helsinki, has been selected for her project Two Ways to Carry a Cauliflower because of her refreshingly unique, satiric and at the same time intimate way of exploring identity. Through both performative and satirical self portraits, Sarpaniemi challenges traditional femininity and gender roles.
Frederik Danielsen (b. 1995) has been selected for his work revolving around the myths of the Danish island Als, where the artist himself grew up. Danielsen evokes the viewer's curiosity for these local places and their stories by applying a photographic approach that combines documentary photography and conceptual art, using both his own photographs as well as found material from local archives.
Jenni Toivonen (b. 1993) based in Helsinki, has been selected for her project Are We There - a performative journey to the old village Penedo where her grandparents were set to build an utopian community in the tropics. As it unfolds, the project becomes an investigation into migration, memory and history.
Mathias Eis (b. 1995) has been selected for his long-term project Are we nearly there yet?, which explores life at the 148 rest stops along the Danish highway. Although most Danish people have visited at least one of these stops, few attach any value to them, so Eis transforms these otherwise bland locations into places worth seeing.