They used to be here
Daria Svertilova
Nominated by
Odesa Photo Days Festival
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The erasure of a nation's identity begins with its youngest generations. Forced displacement, abduction and re-education of children are common practices in colonial wars. History is cruel in its cyclical nature.
As early as 2014, Russia began abducting Ukrainian children from the occupied territories and setting up education camps. Since the outbreak of the full-scale war, the number of children taken to Russia or Russian-occupied territory without the consent of their families has increased significantly and continues to grow: according to Kyiv, 19,546 children have been confirmed to have been forcibly displaced, while Moscow claims that the number reaches over 700,000. Information is being erased, lost and falsified, making it impossible to determine the exact number.
How many children were taken away forever? Which of them will return? What will happen to them after the re-education camps, after growing up in Russian foster families?
What will happen to their lives, their psyche, their sense of identity?
This series is a visual reflection on the forced displacement of Ukrainian children in the context of war. I look at the issue of abduction through the prism of associations and images, and interpret it as the embodiment of one of the greatest fears of children.
Children’s portraits were photographed in rescue centers of Save Ukraine NGO.
The Artist
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Daria Svertilova
Nominated in
2025
By
Odesa Photo Days Festival
Lives and Works in
France
Daria is a lens-based artist currently living and working between Kyiv and Paris. Originally from Odesa, Ukraine, Daria came to France to pursue an M.A. in Photography & Video at École Nationale Supérieure des Arts Décoratifs of Paris, graduating in 2023.
In her artistic practice, Daria explores the connections between past and present,
focusing primarily on the youth and cultural, social and political contexts in which young
people live.
Her work was exhibited across Europe and the U.S., including La Villette (Paris), Open
Eye Gallery (Liverpool), Hangar (Brussels), Mystetskiy Arsenal (Kyiv), The Gallery at
Dobbin Mews (New York). Daria is a finalist of the 39th Hyères festival (2024), Palm* Phot Prize (2022) and a recipient of Beyond the silence grant by Magnum Photos & Odesa Photo Days (2024), as well as a grant for contemporary documentary photography from CNAP.
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