Moulding
Michaela Nagyidaiová
Moulding represents a visual investigation into the transformation of countries that were formerly part of the ‘Eastern Bloc’, that have since transitioned from communism to capitalism. The work studies neglected issues within Central European society. It's a visual exploration of how current circumstances in Central & Eastern Europe affect individuals and topographies – how political apparatuses ‘mould’ the layers of everyday life in different shapes and forms. In public spaces, interventions and alterations to our surroundings are made before our eyes, though sometimes change is more concealed – in nature, for instance. Here, the featured chapter of Moulding situates itself in Slovenia, traversing between cities, small towns and rural areas. The photographs draw a line between Slovenia’s past, from a lingering ‘Yugonostalgia’ among older generations to the country’s present-day concerns; such as new environmental questions. Concerned by a controversial 2021 amendment to the water law, which was meant to allow the construction of public service infrastructure in coastal areas, activists began collecting signatures for a referendum. Experts argued that such interventions close to bodies of water could affect both water quality and availability. Changes to the water law proposed by Janez Janša's right-wing government were rejected by one of the highest voter turnouts in Slovenia’s modern history. The work emphasises matters of ‘central/eastern-futurism’, the way the EU has changed since the fall of communism, and how former ‘Eastern Bloc’ countries have been adapting to capitalism since 1989.
Michaela Nagyidaiová (b. 1996) is a Slovakian photographer based in Bratislava. Her work analyses connections between landscape, memory, identity, migration, and the topographies of Central and Eastern Europe. Interested in how ideologies and political systems influence layers of personal life – and drawing inspiration from both past events and contemporary issues – Nagyidaiová works on long-term projects that combine images with text, archival material and video. She holds an MA in Photojournalism & Documentary Photography from the London College of Communication, and is a member of Women Photograph. Her Transient Ties project was exhibited at Fotograf Festival in Prague’s National Gallery, and at a series of further shows in Czechia, Slovenia and Austria. In 2021, Nagyidaiová participated in the Wolf Suschitzky Photography Prize exhibition at the Austrian Cultural Forum in London & Fotohof in Salzburg, as well as in the British Journal of Photography’s Open Walls ’21: Then and Now exhibition at Galerie Huit in Arles.