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La Festa dell’Equatore

Rosa Lacavalla

Nominated by
Der Greif
An attempt to mend a piece of sky unfurling over an ocean of memories, La Festa Dell'Equatore is an initiatory journey, a crossing of boundaries, an invitation to immerse oneself in a continuous flow of transformations. The Equator, that invisible line dividing our planet into two hemispheres, becomes a symbolic meeting point at the crossroads where destinies collide and merge—an experience that marks a turning point in one’s life as a new world unfolds. Connecting the thread that binds imagination and memory, at the heart of this exploration is the captivating phenomenon of moving stars as they migrate from one hemisphere to another. A celestial dance reflecting the migration of people, ideas, and traditions. Using an Italo-Argentinian family and its fragmented history as a case study of a visual and emotional journey, the work aims to illuminate a broader theme. It delves into the profound function of family constellations formed across hemispheres and generations, bridged by memory and migration, centering on the equator as both a divider and unifier. The project’s title itself, La Festa Dell’Equatore, pays homage to a poignant rite of passage that took place aboard steamships transporting migrants to South America. It was a celebratory moment, a communal commemoration marking the approach of a new life. However, it often was followed by profound silence, accompanied by eyes filled with tears and a mixture of hopes and nostalgia. Combining different media, including photography, video, audio recordings, found footage, and archives, the work adopts a transmedia narrative format. The photographic series is accompanied by The Crossing Ceremony, a single-channel video installation that binds found footage of the Equator line-crossing ceremony - featuring old and contemporary rituals - with more evocative imagery capturing the essence of migration connected to the phenomenon of “moving stars”. The video invites viewers to embark on a voyage alongside King Neptune, the revered guardian of the oceans. Within the narrative, Neptune prepares for a pivotal event—the crossing of the Equator Line—a celestial boundary of great significance for himself and all inhabitants of his realm. Transitioning into the second part, the narrative becomes more introspective, metaphorically depicting the journey's challenges and the profound symbolism inherent in traversing the invisible threshold, intertwined with the shifting patterns of celestial bodies in the night sky.
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The Artist
Rosa Lacavalla
Nominated in
2024
By
Der Greif
Lives and Works in
Bologna, Italy
Rosa Lacavalla (b. 1993) is an Italian photographer and visual artist based in Bologna. She holds a BA in Art Graphic and an MA in Photography from the Academy of Fine Arts Bologna, along with one-year studies in the BA in Photography program at Coventry University, UK, and an internship with the collective Cesura. Her work has been featured in several printed and online publications, and exhibited in festivals, collective and solo shows in Italy and abroad. Since 2023 she's been part of the PhMuseum's team as an Editorial, Production and Education Assistant. Lacavalla's visual narratives unfold as transformative journeys – whether it is a personal quest for emotional healing or an exploration of cultural intersections and migrations. Navigating the complexities of the human experience, her works invite viewers to reflect on the intricate paths of healing, transformation, and the blurred boundaries between reality and dream.‍
More projects by this artist
2023

Sana Sana

Sana Sana tells of a journey towards healing that comes from the inside to the outside and the slow and delicate process of recovery from emotional wounds.Sana Sana (Heal Heal) / Colita de rana (Frog’s tail) is repeated like a mantra. Si no sanas hoy (If you don’t heal today) / Sanarás mañana (You will heal tomorrow). These verses are taken from a popular South American chant sung by mothers to comfort their children when they get hurt. A simple song becomes a ritual, born out of love, and its words have acquired a magical belief: if you repeat these verses out loud, you will start to heal.The need to give a visual form to specific feelings and their resolution brings the author to face them and give them a shape, albeit metaphorical. It makes her able to free herself from that weight. For this reason, the images take on different meanings, becoming symbolic translations of feelings, moments of anxiety and comfort, uneasiness and quiet. When we begin to recognize our emotions while we are in the throes of emotional suffering we are already on the way to recovery and it allows us to welcome our feelings with some degree of awareness.Documenting a shamanic rite towards emotional healing and personal growth, the images dance between the subtleties of every day and bring the spectator the comforting feeling of a healing ritual passing by an intricate and often rough path like rock, with the presence of shaded areas, where the cause of the problems and the key to solving them are hidden.Sanarás mañana, she repeats to herself, and there will be no more reason to live this “sad melody”.‍‍