Artist
Tereza Kozinc
Tereza Kozinc (1985) was born in Slovenia, at that time Yugoslavia and is currently living between Ljubljana and Paris. In 2011 she finished her studies at the Institute and Academy for Multimedia in Ljubljana.
She has been changing places from Slovenia to Greece for nearly a decade and after to Paris - for a quest of a home while on the other side she was always urged by the necessity to move.This is also the main focus she explores in her work, the question of her home, geographically as well as emotionally. Tereza’s life can be read within her photographic motives, her work stretches between diary and documentary photography, characterized by a minimalist reality that grows into surreality. Based on intuition and on her everyday life, the images spread from the north of Japan to the south of her kitchen. She is a self-thought photographer, mostly using 35mm film.
In 2020 she was the winner of Fotofever prize, the photo fair held every year in the Carrousel du Louvre in Paris. Her work was exhibited at Voies Off in Arles, La Nuu Photo Festival in Catalonia, at Institut Francais in Phnom Penh, Analixforever Gallery in Geneva, Inselgalerie in Berlin, Photon Gallery in Ljubljana, etc. She selfpublished photozines that were exhibited at Athens Photo Festival.
Finding Stenli
A land that is so different from where I was born and yet the snow tastes the same.
Disappeared on 21.7.2017. We never found any remains.
Stenli became a metaphor for my utopian search of a home; in a forest in a river, at night and in all the creatures that were a part of our pack.
Bebe Blanco Agterberg, a Dutch visual-storyteller working with photography, has a body of work that perfectly fits the book form. In 2019, Bebe took part in a Void’s activity that paired photographers and designers to make a zine in a day. Her politicized work stands out as strong and appealing. Her dealings with the Post-truth Era make the work relevant to our contemporary days.
Tereza Kozinc, who we first met in a book-making workshop, has a deeply personal, experimental work. Part of her practice is transforming it into zines and artist books.
Exploring the notions of ‘home’, Kozinc has an appealing diaristic approach that obscures the limits of reality and fiction. Joselito Verschaeve’s photography is technically meticulous. His editing process is very well-thought-out. He carefully plays with simple and banal subjects, elevating and re-signifying them. We were lucky enough to have Joselito as a trainee at Void in Athens. During his stay in Greece, he developed hand-to-hand with Void’s editor Myrto Steirou his forthcoming debut book that will be soon published by Void.
The subjectivity of the British photographer Emily Graham’s practice is what initially dragged Void’s attention. Her work leaves space for the audience’s interpretation, with rich and complex metaphorical potential. Her project ‘The Blindest Man’ is a captivating story about a real, unsolved treasure-hunting mystery. Open to interpretation and bringing much more questions than answers, ‘The Blindest Man’ will be Graham’s first book, to be published by Void in 2022.
Rocco Venezia is an Italian visual artist working mainly with photography. The subject of his works originates from a personal interest in literature as well as a certain awareness of European political and economic situations. Matters well-developed in his first book, ‘Nekyia’ (Witty Books).
Our selected talents of 2021 have, if not all, most of the attributes we look for in our books: well-defined personal approach to photography; a work open to interpretation, raising more questions than answers; and a creative blur of the frontiers between reality and fiction.
Being an independent publishing house, Void wishes to give voice to artists with bodies of work that might struggle to find venue elsewhere, that being due to the nature of their (dark) subjects, the experimental approach to their practice, or even the artist’s career moment. With this in mind, Void is extremely proud of fostering the photographer’s debut books.