Artist
Sanna Lehto
Sanna Lehto (1990) is a photographer graduate of School of Art, Architecture and Design at Aalto university, Helsinki. She recently exhibited her series Morphologies at Gallery Kosminen, Helsinki (2017).
Something flows, slowly, perhaps a syrup, yet nothing saccharin arises out of Sanna Lehto’s image, but rather a bittersweet background which rests tranquilly. At the heart of this muffled world, beneath a dome, a small flower has traded its innocence in order to come and pass away on the surface of faces, the fluid has abandoned its lightness and its movement in order to gain in weight. Air is rare in Sanna Lehto’s photographic world. The image sometimes blushes, at other times it pales: the chromatic palette varies from crimson red to pink, as if these faces encapsulated between the glass lens and the sensor were breathing gently. A sort of photographic herbarium, that is what she seems to evoke through these portraits and still lifes. The creative process is not that dissimilar: during her summertime walks she gathers and picks, flowers gleaned from the Finnish countryside; sometimes she buys them, guided by a vision of a coloured harmony rather than through any symbolism. Often, she dries them and awaits for a suitable visual frame in order to place them in the photographic field. We may imagine her, back in her studio, patiently pinning these specimens one by one, according to the fortunes of encounters and visual stimuli.
Morphologies
Something flows, slowly, perhaps a syrup, yet nothing saccharin arises out of Sanna Lehto’s image, but rather a bittersweet background which rests tranquilly. At the heart of this muffled world, beneath a dome, a small flower has traded its innocence in order to come and pass away on the surface of faces, the fluid has abandoned its lightness and its movement in order to gain in weight. Air is rare in Sanna Lehto’s photographic world. The image sometimes blushes, at other times it pales: the chromatic palette varies from crimson red to pink, as if these faces encapsulated between the glass lens and the sensor were breathing gently. A sort of photographic herbarium, that is what she seems to evoke through these portraits and still lifes. The creative process is not that dissimilar: during her summertime walks she gathers and picks, flowers gleaned from the Finnish countryside; sometimes she buys them, guided by a vision of a coloured harmony rather than through any symbolism. Often, she dries them and awaits for a suitable visual frame in order to place them in the photographic field. We may imagine her, back in her studio, patiently pinning these specimens one by one, according to the fortunes of encounters and visual stimuli.