Artist
Marius Ionut Scarlat
Marius Ionut Scarlat (b. 1993, Romania) is a documentary photographer living and working between Romania and Spain. He obtained a B.A. in Audiovisual Communication at the University of Alcalá, but began his career as a photographer after finishing his Master’s in Artistic Photography at the TAI School of the Arts. Since then, he has dedicated himself to carrying out his personal projects.
Scarlat’s work has been recognised and awarded in several national and international competitions, such as PHotoEspaña, the Emerging Photographer Fund (Magnum Foundation), World Nomads, Promoción del Arte at Tabacalera Cantera, Visa pour l’image, Matera European Photography, Artistas Novos, and Creación Injuve. In 2021 he received a bookmaking scholarship at Magnum Photos. This year he also has received a long-term mentorship scholarship at Magnum Photos, and he is currently working with Gregory Halpern and Alessandra Sanguinetti for this project.
Scarlat has always been interested in working with his family from Romania. After leaving in 2005 at the age of 11 and having spent 15 years away, his relationship with them has changed. In his projects, he like to insist on those tensions and conflicts that have arisen as a result of moving to Spain. He is interested in Eastern Europe, Romania, alcoholics, his mother, religion, death, the traces of communism on people's faces, gypsies, children, the cemetery, the lake, wedding dresses, unmarried women, dead girls in wedding dresses, dead horses, boys playing soccer, abandoned dogs, funerals, weddings, enchantments, women who are going to clean the graves in the cemetery, flowers, gold…
Donde Los Perros No Ladran (Where Dogs Don't Bark)
This is a project that shows the problem my uncle has had with alcohol since his youth.
I started thinking about this project after reading a newspaper story about the abusive amount of alcohol Romanian people consume. I began to reconsider the relationship I have with alcohol and with people who use alcohol, the relationship Romanians have with alcoholism, and the health and social problems caused by alcohol. I am interested in how this problem has been treated over the years within the Orthodox Church, by governmental institutions, and in popular Romanian culture.
My relationship with alcoholism has been complicated for much of my childhood and adolescence. My grandfather was in a complicated relationship with alcohol during part of his youth, and my mother suffered various conflicts during her childhood because of this problem. My mother transmitted that emotional wound to me, and during my childhood I lived with this rejection of people who consume alcohol. I couldn't bear to see my father, my uncle, or family friends drinking alcohol.
This rejection of people who consume alcohol is one of the reasons I proposed this project. Due to this relationship I have had with alcohol over many years, I have a tenuous emotional connection with my uncle Gigi. I left Romania when I was 11 years old and, every time I came back, I tried to avoid meeting him when he was drunk. My uncle has never been married and has no children. He currently depends on my grandmother for practically everything. My grandmother takes care of the housework, prepares the food, and is the main economic support—thanks to her pension. My uncle is 60 years old, and I am especially concerned about his near future and inability to survive on his own.
This project is intrinsically linked to the environment, culture, and tradition, taking into account family peculiarities, as well as the popular, and their aesthetic formalisation. Due to abandonment by institutions, families have resorted to many different methods over the years to try to solve the problem of alcoholism. Romania is still a very conservative society where religion has an important influence. In addition, it is a country with great faith in the power of enchantments, curses, and magic. I became interested in this project to analyse and relate different aspects of alcoholism in Romania, specifically how alcoholism has been treated by institutions, the Orthodox Church, and the culture of enchantments.
The artists selected by PHotoESPAÑA in this edition are: Marius Scarlat (Romania, 1993), Antonio Guerra (Zamora, 1983), Suwon Lee (Caracas, 1977), Carlos Alba (Madrid, 1984) and Arguiñe Escandón (Bilbao, 1979). The possibility of seeing their work together offers us a contemporary vision of photography in Spain, in which proposals that are more documentary in nature are displayed side by side with works that are more conceptual, with the use of photography that intersects with installation. In the midst of the digital age, the pandemic has intensified the need to think about our immediate environment and our social relationships.
In this context, the work of the authors selected offers us a space for reflection and confrontation about issues relating to globalisation, technology and the environment. Marius Ionus Scarlat works on issues of Romanian identity from a personal perspective marked by his family’s migration to Spain. Suwon Lee also does it from a gender perspective and through her own body in light-based performative actions. Antonio Guerra investigates the construction of contemporary landscape its transformation processes and our perception of it through image, in a work that merges photography and sculpture.
Technology is also present in the artworks of Carlos Alba who addresses issues relating to everyday life in a world in continuous transformation. The specific project he presents is on light pollution in large contemporary cities. Contemporary nightscapes of great beauty that hide devastating effects on the population and the environment. Finally, night light is also the object of study along with sound in the project presented by Arguiñe Escandón, through which she has investigated the
paranormal effects occurring in an area of the Spanish Mediterranean produced by a magnetism that alters the life of the inhabitants, the fauna and the flora.
The five authors are at a crucial moment in their careers. In the past year, their work has been critically acclaimed and they boast international experience they can expand thanks to the Futures platform.