Artist
Laetitia Bica
Laetitia Bica (1981) studied at the École supérieure d’art de Saint-Luc, in Belgium. Amongst her recent exhibitions are Art Brussels (2018), at the Musée de la Boverie, Liège during the Biennale de l’image possible (2018) and as part of Design Week at the Palazzo Litta in Milan (2017).
Just as much a physical experience which disturbs the tranquil surface of the photograph as a workshop narrative with a documentary character, Laetitia Bica’s series Cream, cannot be confined to a single genre. Following two years of collaborations with the CREAHM workshop in Liège (Creativity and Mental handicap), she undertook two months of intense research with the workshop’s artists, the result of which is this corpus of disruptive and vibrant photographs. Collaboration, a creative process which is a daily part of this photographer’s life as she typically works on commission in the areas of fashion, music, and design, in these photographs is transmitted through the body. Gestures, colours and materials become elements of language during their creative exchanges. Thus unfolds a series of figures covered in paint with thick and bold features and accents that are at times wild, at times warlike. A few of the images, placed in a sequence, follow an artist’s movement, rendering the in progress nature of this experiment and indicating Laetitia Bica’s double position on what takes on the appearance of almost ritualistic practices: at the same time actor and master of ceremonies.
Cream
Just as much a physical experience which disturbs the tranquil surface of the photograph as a workshop narrative with a documentary character, Laetitia Bica’s series Cream, cannot be confined to a single genre. Following two years of collaborations with the CREAHM workshop in Liège (Creativity and Mental handicap), she undertook two months of intense research with the workshop’s artists, the result of which is this corpus of disruptive and vibrant photographs. Collaboration, a creative process which is a daily part of this photographer’s life as she typically works on commission in the areas of fashion, music, and design, in these photographs is transmitted through the body. Gestures, colours and materials become elements of language during their creative exchanges. Thus unfolds a series of figures covered in paint with thick and bold features and accents that are at times wild, at times warlike. A few of the images, placed in a sequence, follow an artist’s movement, rendering the in progress nature of this experiment and indicating Laetitia Bica’s double position on what takes on the appearance of almost ritualistic practices: at the same time actor and master of ceremonies.