Artist
Katerina Moschou
Katerina Moschou moves fluidly between sculpture and photography, with printmaking and painting forming the core of her practice. Her multidisciplinary approach allows her to transfer characteristics from one medium to another, shaping an evolving artistic language.
Observing both human-made and natural environments, she captures their intricate relationships and translates them into material and form. Her work highlights the peripheral, uncovering interactions between living and non-living entities while bringing overlooked narratives into focus.
Katerina studied Fine Arts at Aristotle University of Thessaloniki and École Supérieure d’Art | Dunkerque-Tourcoing. Her first photobook, How to Drive, a collaboration with Zoetrope Athens, received the Polycopies & Co Grant (Paris, 2022), won the ArtsLibris Banc Sabadell Award (Barcelona, 2023), and was shortlisted for the PhotoESPANA Best Photography Book Award (Madrid, 2023). How to drive has been featured in renowned bookstores across Europe and the U.S. Her work has been exhibited in Poland, Italy, and France.
How to drive
There are stories other than the triumphant victories of Le Mans racers.
Or there could be no such stories in that sense.
There is meaning beyond victories and losses. 24 hours of racing sound exhilarating but how about 365 days of driving? One’s driving routine could hold enough value to do away with heroes.
"How to Drive" unfolds as Katerina immerses herself in her father’s car workshop, reclaiming a space both familiar and distant. What begins as an exploration of an environment historically coded as male transforms into a study of movement, routine, and bodily perception.
The world of cars has long been synonymous with speed, mastery, and technological precision. But How to Drive turns attention to another kind of driving—one that is tactile, rhythmic, and deeply embodied. Katerina documents herself in motion, observing the interplay between body and machine, where every grip of the steering wheel, every press of the pedal, becomes part of an unconscious choreography. Over time, this process evolves into a ritual, an intimate performance unfolding within the car’s enclosed space.
The project shifts the focus from grand narratives to unnoticed gestures, from the stories we are told to the intelligence of the body itself. It echoes Ursula Le Guin’s Carrier Bag Theory, embracing untold, unheroic narratives—often linked to women’s experiences. In this way, the car is no longer just a means of movement but a vessel for memory, materiality, and self-exploration.
Katerina Angelopoulou
Greek artist, based in Athens (GR)
Void selected Katerina Angelopoulou for the way she explores the gaps in history—stories that remain untold, unwritten, or forgotten. Her work focuses on the contrasts that shape Greece today: between past and present, personal and political, official history and lived experience. Through photography and text, she pieces together these fragmented narratives, questioning how the past continues to shape the present. We appreciate her thoughtful and research-driven approach, as well as her ability to turn complex historical themes into visually striking and engaging work. As a publisher, we also value her interest in pushing the boundaries of storytelling. Futures offers her the space to develop these ideas further, connecting her practice with a wider artistic community and new ways of sharing her work beyond Greece.
Katerina Moschou
Greek artist, based in Athens (GR)
What drew Void to Katerina Moschou’s work is her ability to capture the ephemeral nature of everyday life—those fleeting, often overlooked gestures that shape our social fabric. Her interdisciplinary approach, blending photography with sculpture and engraving, expands the language of the image beyond the purely visual, creating a tactile and sensorial experience. We are particularly interested in how her practice engages with materiality and traces of interaction, resonating with contemporary discussions on presence, memory, and perception. Having already published her first photobook, Moschou has begun navigating the challenges of bringing photographic work into book form—something central to Void’s own practice as a publisher. Her sensitivity to how images function in different contexts, and her commitment to keeping narratives open-ended, align with our approach to bookmaking. Her ability to translate these nuances into evocative visual storytelling makes her a natural choice for Futures.
Mari Kolcheva
Bulgarian visual artist, born in Sofia (BG) and based between Sofia (BG) and The Hague (NL)
Void selected Mari Kolcheva for her nuanced approach to documentary photography, which engages with complex narratives at the intersection of history, psychology, and science. Her work challenges rigid frameworks that define deviations—whether in nature, health, or identity—questioning who sets the standards and why. As a Bulgarian artist working between Sofia and The Hague, she brings a perspective shaped by multiple cultural contexts, adding depth to her explorations of personal and collective histories. We appreciate her commitment to pushing the boundaries of photography, using the medium as a tool for deeper inquiry rather than mere representation. Her involvement in The Balcony, an artist-run space supporting emerging talents, also aligns with Void’s dedication to fostering new voices. Futures provides her with the ideal platform to further develop her practice, connect with a wider international audience, and continue challenging conventional narratives through photography.
The selecting committee consists of:
Eleni Mouzakiti | Artistic Director of the Photopolis International Photography Festival in Agrinio and Gallery Director at the House of Lucie Athens
Elpiniki Meintani | Photography Curator at the National Gallery – Alexandros Soutsos Museum
Myrto Steirou | Publisher, Editor, and Educator; Artistic Director at Void and co-founder of Carnivora