Artist
Debbie Castro
Debbie Castro, an Irish Conceptual Documentary Artist currently based in London, UK, seamlessly intertwines photography, poetry, and moving image in her artistic practice. Positive, reliable, motivated working both in a team and individually. Enjoys building a community, organising and problem solving. Calm but passionate with excellent management skills working towards a budget. Educator with a Degree in Psychology and a MA in Photographic Arts. Freelance Co-ordinator and teacher for London Institute of Photography, curating and executing exhibitions.
Age is a Privilege, unless you forget!
Age is a privilege, unless you forget! is an intimate collaboration with my father, Charles. Multi-layered, it explores the perspective of a person living with Dementia with an aim to open up a dialogue for the wider community.
There are no answers and no guarantees with this illness, only that it gets progressively worse. The number of people with dementia by 2051 worldwide is thought will rise to 250 million and as such needs to be discussed as much as possible now.
By illustrating the development of my father’s illness and giving his experience a physical form in my work, I invite others to gain an insight into the loss of memory. The personal becomes universal. Through processes of cutting, scraping and the use of stickers to intervene with my father’s photographs, I am seeking to depict both the decline of his cognitive health and the physical approach I have adopted to grieve my father while he is still alive. In this project, the recurring use of stickers is intended to represent the loss of my father's memory and the synapses in his brain, while the colour of each sticker underscores the extent to which he has forgotten a particular individual, setting or event. When viewing these sliced, scraped and crumpled images, viewers get the sense of my pain, as well as gaining an insight into the disorder and displacement of the memories of those with dementia.
Age is a Privilege, Unless You Forget! encourages viewers to find their own unique way of responding to the work, as well as experiences they may have of witnessing the decline in memory of people in their lives. This project then becomes a way of learning, coping and feeling one's way through losing the parts of a person they once knew and how that person formerly understood them. While photography is the core medium of this project, it has developed since 2020 to encompass other media and disciplines. For example, when this project was exhibited for the first time in the Royal Hibernian Academy of Arts, Dublin (RHA), an immersive projection existed alongside photographs; found objects, including my father's desk and chair; and a sculpture in the form of a 3D printed bust. . As part of the the project, I made a video with dad’s images and wrote a letter as a poem, a medium that has long been associated with the visual arts, particularly photography in the last century.
It is through engagement with the work that viewers will learn more about the experience and my practice, as well as discovering more about themselves. Inside the lost and found memories of my father and mine, you are encouraged to form a mosaic of your own recollections, reveries and feelings.
Recent graduate Berta Mars presents her latest work The Loudest Silence – a nostalgic look back at the artist’s childhood memories while also reflecting on a slower way of life exemplified in the represented place. While the topic may not be loudly political, it remains current. The jury praised Mars’ composition in the images, but also the “raw emotional intensity” of them.
Leon Nevill Gallagher explores the lacuna that exists between people influenced by our relationship with the online. Informed by his experience of temporary separation from his girlfriend, he proposes a narrative by visualising the emotions around the spaces created between loved ones in times of distance and reliance on online communication.
Debbie Castro conveys memory loss through the family story of her father and his dementia through the sensitive and considerate editing and narration of his personal family photographs and archives. Her work talks about mental health, especially in the case of the project Age is a Privilege, Unless You Forget!, which reflects on her personal experience of the effects of Alzheimer's on a loved one.
Similar to Castro’s work, Sarah Navan’s ongoing project Care in Progress serves as a cathartic practice to understand a mental state of being – in this case examining her own experience with bipolar disorder. With Care in Progress, she shifts the lens back onto herself and her everyday life as she learns to live anew following her diagnosis.
Also using his everyday life but with a very different approach is Chris Finnegan with his project The Grammar of Home. At times collaborating with his child to present ideas around the definition of a ‘home’, Finnegan critically interrogates ideas of home-making, childhood and the domestic sublime.