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The

Artist

Benedetta Casagrande

Lives and Works in
Milan, Italy
Benedetta Casagrande is an artist, writer, curator and educator working with photography. Her practice unfolds through slow research (term coined by Carolyn F. Strauss); slowness as a principle of observation, of attunement, of deceleration and constant repositioning, in an attempt to situate the human experience of the world within wider webs of relations, times and spaces. As a medium which is fundamentally based on encountering the world, she works with photography as a tool to enter in relation to the surrounding environment and its animal, vegetal and objectual elements, cultivating a relationship with the non-human. Her research reflects on the material histories of the photographic medium, investigating its role in the dynamics of environmental ruination and experimenting with sustainable darkroom techniques. Benedetta is the winner of the Luigi Ghirri Prize (2024), of FE+SK Book Award (2024), and received the honorable mention from the jury of the Francesco Fabbri Prize for Contemporary Arts (2024). She is the commissioned artist for Photo Città della Pieve 2025. Her first photobook, All things laid dormant (Skinnerboox, 2024) was shortlisted for the Arles Authors Book Award and Singapore International Photography Festival Book Award. Her work has been exhibited in national and international exhibitions, including Triennale Milano (Milan, 2025), Ph Museum Days (Bologna, 2024), Fotografia Europea, Palazzo dei Musei (Reggio Emilia, 2024), Photo Brussels Festival (2024), ADI Design Museum (Milano, 2023), INSTANCE (Shanghai, 2021) and Photo Ireland Festival (2019).
Projects
2024

All things laid dormant

How can we relate to our non-human others in times of extinctions knowing, as we must, that we live among the ruination of others? Whilst living beings are bound in ecological communities of life and death, in which life constantly makes and and unmakes itself in cycles of renewal, the man-made mass destruction at play in the environmental catastrophe not only attacks the generative qualities of death, but fundamentally carries the implication that the death of animals, peoples and environments is morally irrelevant, 'collateral damage'. All things laid dormant attempts to create a space for longing, love and grief by relying on the ambiguities of the photographic medium - which both brings us into encounter and constitutes a barrier between the body and the world - to create a space in which to re-experience the dramas of encounter in a more-than-human world. And yet these encounters also embody a series of little failures: a way of being always on the verge of a contact that never quite becomes fulfilled. Moving constantly between presence and absence, life and death, proximity and distance, contact and loss of contact, love and grief, All things laid dormant would like to enter a sort of call-and-response with the world, in a world in which living beings are constantly calling and being called, coming into encounter, and bringing the self and the other into mutuality. All things laid dormant consists of photographs, texts and sculptural pieces. The sculptures, made in ceramics, are glazed with a blend in which I recycled silver extracted from exhausted darkroom fixer. The texts morph into different forms and materials from show to show: I have printed them in the darkroom and developed them in plant based developer, I have printed them on leaves through chlorophyll printing processes, and I have hand-written them on the wall with vegetal charcoal.
Benedetta Casagrande
was nominated by
CAMERA Centro Italiano per la Fotografia
in
2025
Show all projects
Each year every member of the FUTURES European Photography Platform nominates a set of artists and projects to become part of the FUTURES network.

The five artists selected for FUTURES are Claudia Amatruda (Foggia, 1995), Matteo Buonomo (Milan, 1991), Benedetta Casagrande (Milan, 1993), Alessio Pellicoro (Taranto, 1994) and Martina Zanin (San Daniele del Friuli, 1994). This selection consolidates the nature of this program as an observatory of the medium, developing a broad perspective of its practices today in the Italian context and examining the ways in which the digital and new aesthetics are changing its fruition. It includes refined operations that present both research with a return to its function as a document, as well as experiments that question the medium's ideas of form, truth, and identity. The aim is to show how photography is a medium in perpetual transformation and expansion, which brings together experiences of a documentary nature on social and cultural themes, and others that emphasize formal and conceptual research.

Amatruda reflects on the transformations of his own body due to a rare degenerative disease. Looking at Donna Haraway's theories on the union between cyborgs and humans, she transforms her body into a theatre of reception for external elements, highlighting possible contaminations and metamorphoses through self-portraiture.

Bonomo's work focuses on long-term projects focusing on the social context trying to read the dynamics of loneliness and sharing that run through contemporary society. His photographic stories are enriched by textual and investigative insights.

Casagrande uses the medium of photography to be in relationship with the surrounding environment and its elements. She analyses ecological coexistence with the non-human living world and explores the ways in which we relate to them: intraspecific coexistence and the possibility of constructing new forms of kinship and intimacy between species in a context of unprecedented loss of variety of living organisms.

The elements that characterize Pellicoro's research are the ambiguous relationship with reality, the role of immobility and movement, the post photographic inclination and the testimonial approach. A result that, on the one hand, is due to the subjects filmed; on the other, to the interest in representing unconscious drives or autobiographical issues.

Zanin's research is intertwined with his personal experiences and draws on references from literature and psychoanalysis to interrogate the notions of absence, memory, aggression, repetition, patriarchy, and heritage. She invites the viewer to reflect on the ambiguity of power dynamics, focusing on the fine line between protection and control and turning her attention to vulnerable positions.

List of curators 

Giangavino Pazzola – Curator of contemporary and research programs at CAMERA

Walter Guadagnini – Director at CAMERA

Nominators

Arianna Catania | Director of Gibellina Photoroad / Open Air & Site-specific Festival

Matteo Balduzzi | Curator of MUFOCO – Museum of Contemporary Photography of Milano-Cinisello Balsamo

Marco Delogu | Photographer and President of Azienda Speciale Palaexpo - Rome