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The

Artist

Balázs Turós

Nominated in
2023
By
Robert Capa Contemporary Photography Center
Lives and Works in

Balázs Turós (b. 1990) studied at the Department of Photography at Budapest’s Moholy-Nagy University of Art and Design. After finishing his BA, Turós moved to England, where he was introduced to FotoNow – a media-based social enterprise in Plymouth, with whom he worked for two years. Having returned to Budapest, he pursued a Master of Photography course at Moholy-Nagy University of Art and Design. Turós was awarded the József Pécsi Fellowship in 2018, 2019 and 2020. In 2021, he participated in the Fellowship of the Robert Capa Photography Grand Prize. The following year, his works featured in the Open Program of Fotofestiwal Lodz, Poland.

Wbsite: balazsturos.com

Instagram: balazs_turos

Projects

THE NATURE OF THINGS

Humans are the only living beings who are aware of the finality of life; we’re forever bound to accept this fact with total vulnerability. But how can the transient nature of our personalities be acknowledged in an individualistic society? Five years ago, I set out to find an answer to this question in my photo series, THE NATURE OF THINGS. As I started to work on the project, my grandmother was diagnosed with dementia, which was a starting point for my investigations. If our personality completely disappears at the moment of our death, we can think of dementia as that frozen moment in which – day after day – we slowly drift away from ourselves. Ever so slowly, the original project has turned into a collaborative effort with my grandmother. While I’m watching her change both mentally and physically, I’m aiming to embrace acceptance; I’m striving to experience the ways of the world, where the transience of life also plays a part.

Balázs Turós
was nominated by
Robert Capa Contemporary Photography Center
in
2023
Show all projects
Each year every member of the FUTURES European Photography Platform nominates a set of artists and projects to become part of the FUTURES network.

Nominated by Gabriella Csizek, curator of the permanent Capa exhibition at Capa Center, Balázs Turós’ work explores themes that emerge from his personal development and his life's journey, and the sensitive expression of these themes in series’ of photographs. We have chosen him as a FUTURES Talent for his high-quality work and consistently performed projects. A graduate of the Moholy-Nagy University of Art and Design, Turós has been awarded the József Pécsi Photography Scholarship three times.

Tamás Don, chief curator at MODEM Center for Modern and Contemporary Art, nominates Zsuzsanna Simon, a graduate of the Hungarian University of Fine Arts. Since university, Simon’s series have focused on feminism and the social issues affecting women, and she has continued to work with a strong emphasis on the female body and societal expectations in her post-graduate projects too. There are few artists in the Hungarian photography scene who have been so focused on an important social issue for as long as Simon.



Nominated by Emese Mucsi, curator at Capa Center, Balázs Szigligeti brings into play the explosive, overdriven, shiny-glazed visual characteristics of camp aesthetics, where he 'cools down’ the loudness of camp, exploiting the possibilities of black-and-white image creation. Having worked in the fashion industry since the age of 16, Szigligeti makes autonomous projects which create a special tension between the topic and the way it is displayed.

Nominated by Borbála Szalai, director of Trafó Gallery, Mari Ornella makes photographs in which control and loss of control appear with equal emphasis. Her latest series, Wanna Be My Lover, deals with the search for female identity and the issues when women's self-definition is shaped by men. The project originates from personal traumas, and sees the artist focus on her own relationship with men such as her father, the characteristics of borderline personality disorder, and the consequences of uncontrollable emotional states.

Nominated by István Virágvölgyi, artistic director at Capa Center, Richárd Kiss approaches the world and the photographs that seek to represent it with a highly analytical vision, sifting through millions of images on the internet and then appropriating them for his work. Asking questions such as ‘does it make sense to take the two-millionth photo of the Eiffel Tower?’, Kiss pulls the rug out from under the online photo services we use on a daily basis.