His work is engaged in a dialogue with the dark poetics and reflexive potential of the photographic quotidian via oblique documentary, collage, writing and video. This practice draws upon lack, liminality, libidinal excess and the paradoxes of dematerialised (image) desire in a simulacral and schizoid semiocapitalist present.
He recently received a first-class Masters in Art in the Contemporary World from NCAD writing on the subject of Death and the Dematerialised Image.
