Rise of Trivial
Carlos Trancoso
Rise of trivial is a multiplatform project about virtual identity and the ways we interact in the internet.
Persona
Persona series uses a term of digital marketing. It questions the platonic facet of the network: although we do not see it, we accept its existence. This creed is represented by tridimensional portraits (in the form of busts), result of the consent of individuals to be photographed in a social context. Through photogrammetric processes it was possible to collect superficial data related to their apparent identity. Seduction is present in the background’s hue of the busts, which are based on psychological strategies applied to colors used by the social platforms of the internet.
ANN
ANN stands for Artificial Neural Network. Similarly to the brain it’s a system that evolves from data analysis, following a learning method that allows the recognition of patterns. ‘ANN’ questions the learning process of new artificial intelligence. After the Internet, we ceased looking for the Plato’s Eden and start building a world of forms in our own image, creating new religions such as Dataism. For what purposes are we creating these huge databases? Can we trust in computer generated data? Can we continue to talk about images as a strictly visual language?
Backup
Backup series reflects the concept of digital documents, not only as vehicles for information but also as testimonies of isolated uses and behaviors in a virtual scenario, using the power of duplication and making it a protocol. On one hand we have figurative representations of behavior patterns; on the other hand we have the paradigm of uncontrolled information related to our digital identity, making the “right to be forgotten on the internet” a truly utopian operation. The liberalism of the information market only leaves us with two choices: to accept everything or to enjoy nothing.
Carlos Trancoso (b. 1989) is a Portuguese visual artist that works and lives in Porto. He uses the photographic gaze in a critical perspective on the way the human being relates to technology. His work aims to challenge established patterns of interaction and creation of images in contemporary society. Although he mainly uses fictional approaches, his work intermingles with a documental photography language, creating cameraless images, mixed media and computer generated images.
Recently he has exhibited at festivals such as Photoalicante in Spain, Backlight in Finland and Bienal da Maia in Portugal.
How to build a telescope
How to build a telescope is an ongoing essay on technology in a rural context. It is a project that lives in the day-to-day of my reflections on the topic of curiosity and the need for invention. Being intimate, the project reveals itself against an ethnographic approach, seeking to dismantle prejudices associated with technology that, in the contemporary rural world, has its maximum expression of freedom.
Glad I spend it with you
There is no such thing as a manual on reading digital images for humans. Glad I spend it with you is a set of images that unveil the basic structure of a digital image. These images are the product of unintentional errors that occured with a broken storage card. Although the files were corrupted, the machine made the effort on reading the data, producing images that denounce the reading methods of the basic units that constitutes the digital photographs we produce with our cameras.
This project intends to reclaim the authorship associated with images whose initial intention of assisting memory transforms into the realization and consecration of the digital image as an ephemeral by-product of contemporary virtual culture.