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F O M O

Mónica Egido

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The development of my project arises from a need to expose myself to the things that terrify me: the silence of being with myself, listening only to my thoughts, and the stillness of my body in a space of immensity. It’s about changing my relationship with time – and with myself, mentally and physically – forcing me to stop and observe myself naked through the camera.

In my physiotherapy practice, I have many patients who suffer pain, digestive problems or sleep disturbances; often, these symptoms are the result of high levels of stress and anxiety maintained over time. 3 years ago, I myself was diagnosed with FOMO (fear of missing out), so I felt the need to chart my progress, and follow my changing relationship with myself. The project became a form of self-therapy, accompanied by parallel research on the human relationship with time – informed by various humanistic and metaphysical points of view.

It results in a critique of productivism – omnipresent in a capitalist society like ours – which forces us to keep working, watching, reading and producing. These impulses leave little room for valuable rest; when we stop, we feel that we are somehow left behind, which can in turn lead to anxiety.

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The Artist
Mónica Egido
Nominated in
2023
By
Lives and Works in

Mónica Egido (b. 1994) has a background in physiotherapy. She is currently a student of the PHotoESPAÑA Master in Photographic Projects, led by Semíramis González. As well as several solo shows, she has exhibited her work in group presentations at Sara Caso Gallery, Madrid; Abartium Gallery, Barcelona; The Holy Art Gallery, London; and El Brocense Art Gallery, Cáceres. Her images have been published by the likes of Vogue Italia and FLAMANTES.

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