Era Mare
Matteo de Mayda
Era Mare is a project by Matteo de Mayda, bruno (Andrea Codolo and Giacomo Covacich) and Francesca Seravalle, in a spirit of solidarity with the Venetian inhabitants who were damaged from the floods between 12 and 28 November 2019.
On the night of 12 November 2019, the tide in Venice reached 187 cm above the mean sea level. An exceptional event that submerged the streets and flooded nearly every ground floor.
We decided to avoid an aggressive chronicle of the damage to respect the people who were affected, so as to show the hanging, fragile atmosphere of Venice, its lagoon and the Venetians. Accompanying the pictures, a text that shows an uncertain and dystopian imaginary and invites us to reflect on the future of the city.
The proceeds were donated to Do.Ve cultural association, a network of commercial activities and private citizens involved in the preservation and valorization of a large area of the Dorsoduro district. The association commits to use the raised funds to help these realities get back up again.
Matteo de Mayda is a Venice-based photographer represented by Contrasto, focused on reportage and social and environmental causes.
His pictures appeared in The New York Times, The Guardian, The Washington Post, British Journal of Photography, Internazionale, The Wall Street Journal, Financial Times Weekend, Vogue and Vice.
He participated in several exhibitions, including at United Nations (Geneva, Switzerland, 2013) at Venice Biennale of Architecture (Venice, Italy, 2016) and Head On Photo Festival (Sidney, Australia, 2020).
In 2019 he published “Era Mare”, a book about the high water in Venice, whose proceeds went totally to the shopkeepers who needed help.
For his work about Covid-19 Matteo won the REFOCUS award by Italian Ministry of Cultural Heritage and Activities (Italy) and according to ARTRIBUNE he’s the Best Italian young photographer of 2020.
Vo’, a community goes to test
Vo’ is a small town in Veneto, Northern Italy, in which the first European victim of COVID-19 was registered.
By testing all its inhabitants early on, it has managed to stop the contagion and has now become a living laboratory to study the coronavirus.
Back in February 2020, Vo’ was the first area in Italy to be declared a red zone, together with Lodi and Codogno. For two weeks after the discovery of the first case of COVID-19, nobody was allowed in and out of the town.
Andrea Crisanti, full professor of Microbiology at the University of Padua, was quick to react. He offered to test all 3,1000 citizens of the town, and 95% of the population agreed to participate in the experiment. Such a thorough investigation of an entire population was unprecedented.
Around 100 were found to be positive and asked to isolate at home. A few weeks later, a second round of testing showed that those people had overcome the disease and the virus had virtually disappeared from the town. Dozens of lives had been saved and, while the rest of the country was struggling to contain the virus, Vo’ had virtually become the healthiest place in Italy.
In early May, a third round of testing was performed by Crisanti, with the aid of around sixty volunteers per day, coming from the town and surrounding area. This time, in addition to saliva and nasal swabs, the inhabitants underwent a blood test that will reveal if their immune system has developed antibodies against the virus. This is data that any epidemiologist in the world would want to get their hands on.
In November Andrea Crisanti asked to the 160 citizens who had an antibody response to Covid-19 to have a new blood test to check their antibodies strength, six months later. This information is important to understand how long immunization lasts and also regarding the vaccine development.
In the future, Crisanti’s work could help save thousands of lives at a global level. This would not have been possible without the goodwill of the citizens, who also agreed to provide personal data and other sensitive information for the sake of the research. The story of Vo’ is one of a community coming together to save itself and help humanity make one step forward.
This photographic project covers the 12 months of the little town that has become an international model.
There’s no calm after the storm
Between the 26th and the 30th of October 2018, an extreme weather event stormed Italy, hitting with unprecedented violence the Trentino-Alto Adige, Veneto and Friuli Venezia Giulia regions. On the night of October 29th, in particular, the incessant heavy rain caused the mountain creeks to flood and wind blowing from the South-east at up to 200 km/h tore down approximately 14 million trees in some valleys of the Dolomites and the Prealps. The following day, people living here contemplated for a few moments the wasted landscape, then they rolled up their sleeves to fix the most urgent issues: damaged buildings, unroofed houses, streets and squares filled with mud, upset riverbeds, destroyed aqueducts, phone and electricity lines fallen to the ground.
More than two years later the consequences of Storm Vaia are still tangible. Collecting the fallen trees is a complex operation that requires experience and resources, so many of them are still on the ground. Their wood is feeding ground for the Ips typographus, a parasite beetle that could easily spill from the trees on the ground to those that are still standing, potentially destroying six times as much forest as the storm did. Furthemore, the fallen trees no longer represent a protection against landslides and avalanches, and upset riverbeds are no longer able to contain and channel the water. As if this wasn’t enough, the economy of these mountain communities is struggling: the price of wood has plummeted and many tourist activities have been temporarily closed.
Storms have always been part of the history of forests, but climate change is amplifying their power and frequency. On one hand, the rise of two degrees in the temperature of the Mediterranean sea in October has surely contributed to Vaia’s intensity. On the other hand, the rise of the European spruce’s line is modifying not only the landscape, but the entire ecosystem of these woods. So, as people living in these areas slowly go back to normality, every time the wind blows they ask themselves the same disquieting question: when is the next storm going to hit? And what will it leave behind?
Mixing archive photography and reportage, satellite and microscope imagery, first-hand accounts and scientific theories, this project aims to tell the story of Vaia. Conceived when the emergency was already over and developed over the course of more than a year, it analyzes what has happened with the time to ponder causes, responsibilities, consequences, opportunities and future outlooks, while raising awareness about climate change.
The work was born in collaboration with the TESAF and DAFNAE departments at the University of Padua.