A fundamental dynamic element together with music in Sara's biography and artistic career, water resigns reality by bringing to the surface and in the series of works on display, the traces of a spell that binds the underwater dimension to the human and terrestrial one. The condition of hypervisibility of the images which is determined in the extreme proximity to the subject as well as in the lucid transparency of what is touched, immersed or wet with water, establishes the terms for the manifestation of an event: more than the attempt to fix a microscopic knowledge of reality, the revelation of a fruitful and alien energy, elusive to any normative system that characterizes daily experience. By questioning the limit of our ability to know an organic reality in continuous evolution as a possibility, Sara's artistic practice carries out a verification of the sensitive and at the same time abstract quality of the visual experience through the photographic medium. In this sense, detached in meaning from many other possible interpretations, the Salento proverb seems to suggest the possibility of a point of view in which the complexity of reality.
