My family sits in a grey space where we deconstruct the apartheid construction of ‘colouredness’ and make it our own. Identity is personal and ours is undefined and undetermined as it incorporates multiple backgrounds thus inspiring me to make work with my family. The conscious choice of black-and-white analogue photography refers to the historical anthropological inhumane images of people of colour in South Africa that were used to support ideas on race and legalised oppression. Being neither black nor white, a person of colour is a shade of grey in which everything is possible. In this grey area, I use photography to reclaim and redefine what it means to be a person of colour. This body of work shows a reconciliation and acceptance of our mixed identity. By forging our iconography, we are creating our family’s mythology, thus it is an ode to being Coloured.