Bloody hamam is a project that started after the artist experienced the painting La Grande Odalisque. This project demonstrates how art as experience can create a five-year-long journey of researching, questioning and undergoing the art on different levels. By researching orientalism in a way, she could give some situations that accrued in her life meaning. She continuously questioned her position on this topic by travelling physically and spiritually from east to west and vice versa. To cope with the information she had received, she translated them into rituals and performances and documented her process by accepting, collecting and disassembling it.
